Final Cut Studio 2: Soundtrack Pro 2.0 - Technical Specifications
Final Cut Studio 2 - Part Numbers | |
Retail | MA886Z/A |
Upgrade from Final Cut Pro | MA887Z/A |
Academic | MA886Z/A |
Additional Information
Minimum Requirements to Install All Final Cut Pro 6
A Macintosh computer with a 1.25GHz or faster PowerPC G4, PowerPC G5, Intel Core Duo, or Intel Xeon processor
1GB of RAM
An AGP or PCI Express Quartz Extreme graphics card (Final Cut Studio is not compatible with integrated Intel graphics processors)
A display with 1024-by-768 resolution or higher
Mac OS X v10.4.9 or Mac OS X v10.5.5 or later
QuickTime 7.1.6 or later
A DVD drive for installation
Available Disk Space
4GB of disk space required to install all applications (Final Cut Pro, Color, DVD Studio Pro, Soundtrack Pro 2.0, Motion, Cinema Tools, LiveType, Compressor, and Apple Qmaster)
Additional 55GB required to install all optional templates, content, and tutorials (may be installed on separate disks):
9GB for DVD Studio Pro content
8GB for Motion templates and tutorial media
24GB for Soundtrack Pro audio content
12GB for LiveFonts and LiveType animated elements and templates
2GB for Apple Pro Training Final Cut Studio Tutorials media
Recommended Configurations
The following are recommended for all applications:
2GB of RAM when working with compressed HD and uncompressed SD sources
4GB of RAM when working with uncompressed HD sources
A display with 1280 x 1024 resolution or higher
4 GB of hard disc space is required to install all of the Final Cut Studio 2 applications
An additional 55 GB of hard disc space is required to install all optional templates, content, and tutorials (may be installed on separate discs):
9 GB for DVD Studio Pro content
8 GB for Motion templates and tutorial media
24 GB for Soundtrack Pro audio content
12 GB for LiveFonts and LiveType animated elements and templates
2 GB for Apple Pro Training Final Cut Studio Tutorials media
Soundtrack Pro 2.0-Specific Requirements
For 51. surround monitoring of multichannel audio content: an audio interface with a minimum of six outputs
for multitrack recording: an audio interface with multiple inputs
*Some features require additional hardware. Capturing HD resolution video using the ProRes 422 format requires a Mac Pro with an Intel Xeon processor or a G5 Quad computer and a qualified third-party capture card. DV, DVCPRO 50, and DVCPRO HD output requires a FireWire-enabled camera or deck. SD output via FireWire requires an AJA Io. Please contact your Apple Authorized Reseller for information.
Soundtrack Pro 2.0
Precise Audio Control
Nondestructive, sample-accurate editing of audio files
Support for up to 24-channel files, including mono, stereo, and surround
Action-based editing to modify, reorder, suspend, or delete any audio edit, plug-in, or process
Audio Effects and Audio Units plug-ins can be applied to supported audio files as Actions
Audio Effects and Audio Units plug-ins can be applied to supported audio files as real-time effect chains
Real-time effects applied to audio files can be rendered to Actions
Intelligent analysis, repair, and restoration functions for:
Clicks and pops
Power line hum
DC offset
Phase
Clipped signal
Integrated multichannel file editor
Audio time stretching without affecting pitch
Ambient Noise Print to quickly replace unwanted noises from location recordings
Background Noise Removal including noise print
Sample ruler units in sample value, normalized, percent, and decibel view
Snapping to ruler ticks, zero crossings, markers, and adjacent clips
Support for bit depths up to 32-bit float
Support for sample rates from 2kHz to 192kHz
Support for AIFF, WAV, MP3, CAF, BWF, SDII, NeXT, QuickTime, and STAP (Soundtrack Audio Project) file playback
Saves files nondestructively as STAP files or destructively as AIFF, WAV, SDII, QuickTime, CAF, or NeXT
Export mixes as AIFF, WAV, NeXT, SDII, MP3, AAC/Podcast, Dolby Digital Professional (AC-3), or use Compressor for additional file support
Selection history
Waveform and customizable frequency spectrum views with linear and logarithmic display
Frequency selection and editing in frequency spectrum view
Animated waveform feedback
Mini-waveform view
Advanced Sound Design
Processes including:
Fade in/Fade out
Normalize
Amplitude adjust
Silence
Invert
Swap channels
Mono conversion
Channel reordering
Resample
Generate silence, white noise, pink noise, sine wave, sawtooth wave, square wave, or triangle wave
Support for Audio Units plug-ins
Audio Units presets available to all Audio Units-compatible applications
More than 6000 sound effects, music beds, and music loops, including over 1000 in surround
Powerful media search engine
Support for Apple Loops, AIFF, WAV, MP3, AAC, CAF, and ACID sound and music libraries
Advanced Take Management
Multitake recording with take editing in Multitake Editor
Multitake Editor allows comps of multitake recordings and other audio files
Combine individual phrases from different takes
Automatic customizable crossfade between phrases
Single-click take selection
Adjustable transition boundaries for multitake comps
Final comp functions as stand-alone clip while retaining access to all takes
Slide phrases within edit boundaries
Professional Multitrack Audio Editing
Single window with customizable tab panes
Customizable window layouts
Dynamic tab panes with quick show/hide functionality
Resizable video window tab
Multitrack Timeline with tracks, busses, submixes, and master in mono, stereo, or surround
Multiple multitrack and audio file projects open at once
Mixed sample rates supported in multitrack projects
Time- or beat-based tracks
Ruler in HH:MM:SS, seconds, samples, frames, drop frame, non-drop frame, beats
Loop clip transposition
Loop clip speed adjustments (quadruple, double, normal, half, quarter)
Adjustable automatic and manual crossfades
Fade selector for customizing fade in, fade out, and crossfades
Tape style and sample repeat scrubbing
Rolling edit tool
Native and custom timecode spotting
Multitrack recording of mono, stereo, and multichannel files
Lift and stamp tool to selectively copy plug-in sets from one clip to another
Lift and stamp effect sets can be saved as presets
Lift and stamp EQ matches the EQ characteristics of one clip to another
Automation parameters can move with clips or lock to absolute time
Pull up/pull down of audio and video to all common standards
Customizable clip and track colors
Clip locking in multitrack
Clip disabling in multitrack
Momentary mono switch
Automatable master tempo, master volume, master effects, and key
Automation of most mix and effect parameters with read, touch, and latch modes
Pre- and post-fader send busses for application of common effect plug-ins to multiple tracks
Output bussing for single fader control of multiple tracks
Support for multichannel audio output devices
Time, duration, podcast, beat, and end-of-project markers
Powerful browser for locating content quickly
Multipoint Video HUD
Tool HUD
Timecode HUD
Numeric Clip offset
Bin with access to multiple projects, media files, markers, and clips
Spotlight-style searching in Bin
Surround and Stereo Mixing
Discrete 5.1 mixing, bussing, and routing
Console-style Mixer with full stereo and surround meters on every track, buss, submix, and master
Surround panning of mono, stereo, and surround audio files
Mono, stereo, and surround files can be combined on same track
Support for multichannel surround files
Surround Panner HUD with automatable controls for rotation, width, collapse, center bias, LFE balance, and individual speaker disabling
Surround and stereo panner automation data simultaneously available on each track
Automatic surround to stereo Dolby-standard downmix
Support for true surround and multi-mono effects
Over 1000 royalty-free surround sound effects and music tracks
Control surface support (Mackie Control Protocol)
Surround and Stereo Mixing
Discrete 5.1 mixing, bussing, and routing
Console-style Mixer with full stereo and surround meters on every track, buss, submix, and master
Surround panning of mono, stereo, and surround audio files
Mono, stereo, and surround files can be combined on same track
Support for multichannel surround files
Surround Panner HUD with automatable controls for rotation, width, collapse, center bias, LFE balance, and individual speaker disabling
Surround and stereo panner automation data simultaneously available on each track
Automatic surround to stereo Dolby-standard downmix
Support for true surround and multi-mono effects
Over 1000 royalty-free surround sound effects and music tracks
Control surface support (Mackie Control Protocol)
Integrated Workflow
AppleScript scriptable (executable from Soundtrack Pro, Final Cut Pro 6, or as AppleScript droplets for batch processing)
Automator actions for creation of complex multiapplication workflows in Mac OS X v10.4 or later
Support for video formats up to HD resolutions
Integrated video tab
Output to SD and HD1 video monitors (via FireWire or PCI card)
HD1 or SD output using Digital Cinema Desktop2 to second Apple Cinema Display
Send and receive MIDI timecode and beat clock for synchronization with hardware and software
Integration with Final Cut Pro 6, DVD Studio Pro 4, and Motion 3
Round-trip audio file editing with Final Cut Pro 6 and Motion 3
Support for Final Cut Pro 6 scoring markers
Conform tab to conform audio edit to new Final Cut Pro 6 edits
Conform visual interface for highlighting changed areas
Accept or reject changes across entire project or selectively on a change-by-change basis
Podcast track to create audio-only, enhanced audio, or video podcasts
Support for chapter, artwork, and URL markers in video and audio podcasts
Export presets and customizable post-export scripts
OMF import
AAF import and export
Included Effects
TS = True surround
Dynamics
Adaptive Limiter
Compressor
DeEsser
Expander
Limiter TS
Multichannel Gain TS
Multipressor
Noise Gate
Surround Compressor TS
Distortion
Bitcrusher
Clip Distortion
Distortion
Distortion II
Exciter
Overdrive
Phase Distortion
EQ and Filter
AutoFilter
Channel EQ
Fat EQ
High Cut
High Pass Filter
High Shelving EQ
Linear Phase EQ
Low Cut
Low Pass Filter
Low Shelving EQ
Match EQ TS
Parametric EQ
Soundtrack Pro AutoFilter
Modulation
Chorus
Ensemble TS
Flanger
Modulation Delay
Phaser
Scanner Vibrato
Tremolo TS
Reverb/Delay
PlatinumVerb
Soundtrack Pro Reverb
Space Designer TS
Stereo Delay
Tape Delay
Metrics and Diagnostics
Correlation Meter
Multi Meter TS
Test Oscillator
TunerTS
Miscellaneous
Direction Mixer
Enveloper
Gain
Pitch Shifter II
Ringshifter
Spectral Gate
Stereo Spread
SubBass
Vocal Transformer
HD requires a Power Mac with 1GHz or faster single or dual processors and 1GB of RAM or any Intel-based Macintosh with a minimum of 1GB of RAM.
Digital Cinema Desktop requires a dual-port AGP card with second display.