Showing results by narrator "Edoardo Ballerini" in Comedy & Humor

In 1980, a wealthy businessman named Carl Fletcher is kidnapped from his driveway, brutalized, and held for ransom. He is returned to his wife and kids less than a week later, only slightly the worse, and the family moves on with their lives, resuming their prized places in the saga of the American dream, comforted in the realization that though their money may have been what endangered them, it is also what assured them their safety.

From the rubble-strewn streets of US-occupied Baghdad, Hadi - a scavenger and an oddball fixture at a local café - collects human body parts and stitches them together to create a corpse. His goal, he claims, is for the government to recognize the parts as people and to give them proper burial. But when the corpse goes missing, a wave of eerie murders sweeps the city, and reports stream in of a horrendous-looking criminal who, though shot, cannot be killed.

Marcovaldo is an unskilled worker in a drab industrial city in northern Italy. He is an irrepressible dreamer and an inveterate schemer. Much to the puzzlement of his wife, his children, his boss, and his neighbors, he chases his dreams - but the results are never the expected ones.

Is there an Italian way to deal with life? Can we all learn something from the Italians? Italy often arouses in Americans a unique mix of attraction and bafflement, moderate disapproval and incredible allure. From the Italians' love of poetry to an innate desire to socialize to the regional differences between the north and the south, Beppe Severgnini, who has dedicated his career to the meticulous observation of his compatriots, embarks on an enthralling quest to identify a core Italian identity and explore how that identity has evolved since the global pandemic.

In the story of Russell and Corrine Calloway, set against the world of New York publishing, McInerney provides a stunningly accomplished portrayal of people contending with early success, then getting lost in the middle of their lives.

Guy Grand, an eccentric billionaire prankster, is rich enough to do whatever he likes. And what he likes is to carefully execute projects where he can cauterize by ridicule what the rest of the world ignores: Complacency, greed, corruption, and idiocy. Determined to "make it hot for people," Grand spends his billions staging a series of hilarious, sometimes bewildering stunts, lampooning along the way the American holy cows of money, status, power, beauty, media, and stardom.

Joe Henry was the glue that held his family together. Now, he is dead, and his wife and sons are coming together for one final journey to scatter his ashes. First, however, his loved ones have some things to work out. David, the older son, believes that any minute his life is going to fall apart and everyone he loves will leave him. His brother, Scott, can't shake the belief that at heart, people are inherently rotten. Doris, their mother, just doesn't believe in anything anymore.

What would you do if you knew you only had 100 days left to live? For Lucio Battistini, it's a chance to spend the rest of his life the way he always should have - by making every moment count. Imperfect, unfaithful, but loveable Lucio has been thrown out of the house by his wife and is sleeping at his father-in-law's bombolini bakery when he learns he has inoperable cancer. So begins the last hundred days of Lucio's life, as he attempts to right his wrongs, win back his wife (the love of his life and afterlife), and spend the next three months enjoying every moment.

In the shadows of a seismic shift in American politics comes Tom Rachman's timely and hilarious new work. Basket of Deplorables takes an incisive and satirical look at the United States in the era of Trump data breaches, liberal self-righteousness, red-hat rancor, Starbucks macchiatos, Ultimate Fighting factories, and Internet sinkholes.

From the acclaimed PEN/Robert W. Bingham Prize-winning author of A Naked Singularity, a shockingly hilarious novel that tackles, with equal aplomb, both America’s most popular sport and its criminal justice system. From Paterson, New Jersey, to Rikers Island to the streets of New York, Sergio de la Pava’s Lost Empress introduces listeners to a cast of characters unlike any other in modern fiction: dreamers and exiles, immigrants and night-shift workers, a lonely pastor and others on the fringes of society - each with their own impact on the fragile universe they navigate.

Senator Jim MacVeagh is proud to serve his country - and his president, Mark Hollenbach, who has a near-spotless reputation as the vibrant, charismatic leader of MacVeagh’s party and the nation. When Hollenbach begins taking MacVeagh into his confidence, the young senator knows his star is on the rise. But then Hollenbach starts summoning MacVeagh in the middle of the night to Camp David. There, the president sits in the dark and rants about his enemies, unfurling insane theories about all the people he says are conspiring against him.

The “Metro” of the title of this brilliant and mordant social comedy refers to the Moscow underground - the sparkling subway system that enchants its young hero, seven-year-old Sasha, on his first visit to Moscow. The vaulted ceilings and gleaming escalators appear to his young eyes as emblems of a higher life, of beauty, harmony, and hidden strength. Years later, Sasha escapes the jaws of a provincial ammunition factory and returns to Moscow as an aspiring actor, whereupon he enters quite another “Moscow underground”.

Centering us in Rome, but transporting us seamlessly into worlds as varied and exotic as they are emotionally real, these stories paint landscapes that are populated - vividly, hauntingly - by animals: from squawking, violent seagulls, to magical snakes, to a tiny dog on the side of a deserted road, to starlings circling the evening sky in exhilarating formation.

It’s New York City, nowish. Lemurs brew espresso. Birds tend bar. There are bears on Wall Street, and a billionaire racehorse is mayor. Sea creatures are viewed with fear and disgust and there’s chatter about building a wall to keep them out. Alfonzo is a moody alpaca. His friend Mitchell is a sociable llama. They both work at City Hall, but their true passions are noise music and underground politics.

Rendered paraplegic after a traumatic event four years ago, Cameron Harris has been living his new existence alongside his sister, Tanya, in their battered Biloxi, Mississippi, neighborhood where only half the houses made it through Katrina. One stiflingly hot August afternoon, as Cameron sits waiting for Tanya during their daily run to the Biz-E-Bee convenience store, he suddenly and inexplicably rises up and out of his wheelchair.