Tina Rizkallah

Abducted from a life of privilege, she was sold into slavery in a distant land. For Lady Janet Leslie there would be no escaping the harem of the wealthy and powerful Sultan Selim. But from the moment the handsome ruler spied his breathtaking "Cyra," he was captivated—by the fiery desire that coursed through his veins. She belonged to him, body and soul-yet it was he who was enslaved.

The Hollywood Canteen was the jewel in the crown of World War II Hollywood. From 1942 to 1945, over three million servicemen came through its doors on their way to fight in the Pacific - some never to return. There, in a converted barn in the heart of Hollywood, soldiers were fed, entertained by, and danced with some of the biggest stars in the world.

Kathleen 'Kick' Kennedy, a recent arrival to England from Massachusetts, is already a huge hit in 1930s London society. Her status as the daughter of an ambassador puts her at the centre of the most elite social circles but being an American and a Catholic sets her apart, something she only comes to realise when she falls for Billy Cavendish, the future Duke of Devonshire. Their families will never approve the match - if her parents find out about their romantic attachment, she risks being sent back to America.

It was one of the most searing images of the twentieth century: two young boys, two princes, walking behind their mother’s coffin as the world watched in sorrow—and horror. As Princess Diana was laid to rest, billions wondered what Prince William and Prince Harry must be thinking and feeling—and how their lives would play out from that point on.

No Crying in Baseball is a rollicking, revelatory deep dive into a one‑of‑a‑kind film. Before A League of Their Own, few American girls could imagine themselves playing professional ball. But Penny Marshall's genre outlier became an instant classic and significant aha moment for countless young women who saw that throwing like a girl was far from an insult. Part fly‑on‑the‑wall narrative, part immersive pop nostalgia, No Crying in Baseball is for those who love stories about subverting gender roles as well as fans of the film who remain passionate thirty years after its release.

As the fourth daughter of the perpetually in-mourning Queen Victoria, Princess Louise’s life is more a gilded prison than a fairy tale. Expected to sit quietly next to her mother with down-cast eyes, Louise vows to escape the stultifying royal court. Blessed with beauty, artistic talent, and a common touch, she creates a life outside the walled-in existence of the palace grounds by attending the National Art Training School—where she shockingly learns to sculpt nude models while falling passionately in love with famed sculptor Joseph Edgar Boehm.

In a different world, Evie Milton would have accepted her fate, married an aristocrat and become the doyenne of one of England’s finest estates, just like her mother. In a different world, Rose Wiley would have married her fiancé, David, established a modest homestead and brought up a brood of babies, just like her mother. But this isn’t a different world, and these women are not their mothers. Rose dreams of a life filled with more than family and duty to her husband—a life of purpose—and Evie dreams of a life far away from her rarefied existence.

When Hitler’s armies occupied Italy in 1943, they also seized control of mankind’s greatest cultural treasures. As they had done throughout Europe, the Nazis could now plunder the masterpieces of the Renaissance, the treasures of the Vatican, and the antiquities of the Roman Empire. On the eve of the Allied invasion, General Dwight Eisenhower empowered a new kind of soldier to protect these historic riches. In May 1944 two unlikely American heroes—artist Deane Keller and scholar Fred Hartt—embarked from Naples on the treasure hunt of a lifetime, tracking billions of dollars of missing art, including works by Michelangelo, Donatello, Titian, Caravaggio, and Botticelli.

Prince Leopold, Duke of Albany, was the most intelligent of Queen Victoria's four sons. He was the youngest, a strong-willed, likeable character with an immense thirst for life who faced two overwhelming handicaps. One was haemophilia, then barely understood, which might have killed him at any moment, and in any case subjected him to recurring pain and disability. The other was his mother's determination to keep complete control over his life.

Most people know Andrew McCarthy from his movie roles in Pretty in Pink, St. Elmo's Fire, Weekend at Bernie's, and Less Than Zero, and as a charter member of Hollywood's Brat Pack. That iconic group of ingenues and heartthrobs has come to represent both a genre of film and an era of pop culture. In his memoir, McCarthy focuses his gaze on that singular moment in time. The result is a revealing look at coming of age in a maelstrom, reckoning with conflicted ambition, innocence, addiction, and masculinity.