Fritz

Adelheid returned to the capital of the Vuldar Empire after completing her Reginnaglar Ceremony. Armed with prestige and power, the seventh princess lays down the foundation for her rise. Although Adelheid has set her sights on the future, the past never escaped her eyes. Now, is the time for vengeance for both herself and her fallen knight.

After her 12th birthday, Adelheid von Vuldar must take the next step for her ascension to the throne, the Reginnaglar Ceremony. For generations, members of the imperial family have tested their mettle in dungeons to prove their worthiness, and now, it is Adelheid's turn. Leading her fledging band of knights, Adelheid will delve deep into the Byrgir Dungeon and become one step closer to the throne.

But Jason Asano is settling into his new life. Now, a contest draws young elites to the city of Greenstone to compete for a grand prize. Jason must gather a band of companions if he is to stand a chance against the best the world has to offer. While the young adventurers are caught up in competition, the city leaders deal with revelations of betrayal as a vast and terrible enemy is revealed. Although Jason seems uninvolved, he has unknowingly crossed the enemy’s path before.

It’s not easy making the career jump from office-supplies-store middle manager to heroic interdimensional adventurer. At least, Jason tries to be heroic, but it's hard to be good when all your powers are evil. He’ll face off against cannibals, cultists, wizards, monsters...and that’s just on the first day. He’s going to need courage, he’s going to need wit, and he’s going to need some magic powers of his own. But first, he’s going to need pants.

I used to be a normal high school girl but in the blink of an eye, I woke up in a place I've never seen before and-and I was reborn as a spider?! How could something that's nothing more than a tiny spider (that's me) possibly survive in literally the worst dungeon ever? Are there no rules? There should be some rules! Who the hell is responsible for this? SHOW YOUR FACE!

Albert Camus' The Stranger is one of the most widely read novels in the world, with millions of copies sold. It stands as perhaps the greatest existentialist tale ever conceived, and is certainly one of the most important and influential books ever produced. Now, for the first time, this revered masterpiece is available as an unabridged audio production.

For decades we've been told that positive thinking is the key to a happy, rich life. "F*ck positivity," Mark Manson says. "Let's be honest, shit is f*cked, and we have to live with it." In his wildly popular Internet blog, Manson doesn't sugarcoat or equivocate. He tells it like it is - a dose of raw, refreshing, honest truth that is sorely lacking today. The Subtle Art of Not Giving a F*ck is his antidote to the coddling, let's-all-feel-good mind-set that has infected modern society and spoiled a generation, rewarding them with gold medals just for showing up.

Portraying himself as a failure, the protagonist of Osamu Dazai's No Longer Human narrates a seemingly normal life, even while he feels himself incapable of understanding human beings. Oba Yozo's attempts to reconcile himself to the world around him begin in early childhood, continue through high school, where he becomes a "clown" to mask his alienation, and eventually lead to a failed suicide attempt as an adult. Without sentimentality, he records the casual cruelties of life and its fleeting moments of human connection and tenderness.

In Coraline's family's new flat are twenty-one windows and fourteen doors. Thirteen of the doors open and close. The fourteenth is locked, and on the other side is only a brick wall, until the day Coraline unlocks the door to find a passage to another flat in another house just like her own.

Celebrating its 75th anniversary, John Steinbeck’s Of Mice and Men remains one of America's most widely read and beloved novels. Here is Steinbeck’s dramatic adaptation of his novel-as-play, which received the New York Drama Critics’ Circle Award for Best Play in 1937-1938 and has featured a number of actors who have played the iconic roles of George and Lennie on stage and film, including James Earl Jones, John Malkovich and Gary Sinise.