Inspector Purbright is a thoroughly English policeman: affable, polite, dogged and decent. Created by award-winning crime writer Colin Watson, he appeared in 12 Flaxborough mysteries, four of which were adapted for BBC TV under the title Murder Most English. These five radio dramatisations star Peter Jeffrey, John Pullen and John Rowe as Purbright.

Roger West is a home-loving, hard-hitting and very human policeman. Nicknamed 'Handsome' West, he's more than just a pretty face—he's also Scotland Yard's youngest, smartest detective and a crime-solving supremo. Six of his adventures were dramatised for radio between 1967 and 1971, but only three survived, all of which are included in this box set.

Author and dramatist R.D. Wingfield was best known for creating one of Britain's most beloved fictional policemen, Inspector Jack Frost, who featured in 10 bestselling books and a hit ITV series starring David Jason. This collection includes the radio precursor to the novels and TV show, A Touch of Frost, plus four more gripping dramas.

Meera Syal stars as Slough's answer to Miss Marple: a curious Indian chef who finds herself mixed up with murder.

Ex-policeman Galbraith is caught up in mystery and murder in these two gripping, fast-paced detective dramas. After a long career in the Flying Squad, veteran copper Bill Galbraith is hanging up his truncheon and saying goodbye to the police force. He's looking forward to a quiet life on civvy street - but his best friend, private investigator Tommy Evans, has other ideas.

Meet The Honourable Richard Rollison—a.k.a the Toff. A debonair aristocrat and ace amateur sleuth, he's the scourge of London's criminal underworld: sometimes working alone, sometimes hand-in-glove with the police. But wherever he goes, he leaves his distinctive calling card: a jaunty caricature featuring a top hat, a monocle, a bow tie and a cigar. In these two gripping thrillers, he finds himself involved in rural intrigue and a wedding-day mystery.

Jeffery Archer is a New York Times best-selling author, published in over 37 languages across 97 countries. Jeffrey Archer's debut novel Not A Penny More, Not A Penny Less from 1976 is dramatised here in seven parts by Betty Davis; as well as his later work A Matter of Honour, which was recently rediscovered in the collection of an amateur archivist after the recording was lost on delivery to the BBC archives. The sound quality of A Matter of Honour may be affected as a result.

Summertime—as the temperature rises, so does the potential for evil. From Cornwall to the French Riviera, whether against a background of Delphic temples or English country houses, Agatha Christie’s most famous characters solve complicated puzzles as the stakes heat up. Pull up a deckchair and enjoy plot twists and red herrings galore from the bestselling fiction writer of all time.

They never came tougher than Marlowe, a cynical, world-weary, wise-cracking shamus whose honesty in a dishonest world sent him down the mean streets again and again in search of some kind of justice. Ed Bishop stars as Philip Marlowe in these powerfully atmospheric BBC Radio 4 dramatisations of Raymond Chandler's novels.

With his black hat, huge umbrella, unworldly simplicity and 'beaming but breathless geniality', Father Brown is one of fiction's best-loved amateur detectives. Short and tatty, but with the wisdom and insight to unravel the most wayward of criminal minds, he has entertained generations. In this collection of 13 full-cast dramatisations, the high priest of detection becomes involved in seven intriguing cases that will tax even his mental powers to the limit.

Based on the real-life memoirs of the 19th Century investigator who inspired Sherlock Holmes, Inspector James McLevy, this atmospheric mystery series features the fictional casebook of Edinburgh's finest thief-taker. Accompanied by his loyal partner, Constable Mulholland, McLevy prowls the murky streets of 1840s Leith bringing criminals to justice—assisted by the madam of Edinburgh's finest bawdy-house, the deliciously immoral Jean Brash.

A comprehensive collection of the classic Sherlock Holmes stories starring Carleton Hobbs and Norman Shelley - plus bonus documentary. This unique collection contains the existing Sherlock Holmes dramas in chronological order of publication, each a faithful, standalone adaptation of the original tale. Of the 56 short stories in the canon, 51 are included here. Also featured are dramatisations of the four novels: A Study in Scarlet, The Sign of the Four, The Hound of the Baskervilles and The Valley of Fear.

Brighton, 1957: a sunny seaside resort with a sinister underbelly. This den of villainy is policed by the touchingly innocent Inspector Steine, who naively believes he wiped out all the hoodlums in the Middle Street Massacre six years earlier. Can long-suffering Sergeant Brunswick and keen Constable Twitten persuade him that a criminal mastermind is at large - and that the station's charlady, Mrs Groynes, might bear investigation?

The village of Badger's Drift is the essence of tranquillity. But when resident and well-loved spinster Miss Simpson takes a stroll in the nearby woods, she stumbles across something she was never meant to see, and there's only one way to keep her quiet. Miss Simpson's death is not suspicious, say the villagers. But Miss Lucy Bellringer refuses to rest: her friend has been murdered. She is sure of it.

Bill Nighy stars as Charles Paris with Martine McCutcheon as Jodie Ricks in this BBC Radio 4 comedy detective drama. Charles finds himself uncharacteristically employed in a film, having landed the part of Szabec, a middle management vampire in 'The Wreathing'. His co-star is swimwear model turned actress Jodie Ricks and before long, Jodie is using Charles as a confidant.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

Cassie thinks she has met the perfect man. Joel is sweet, handsome, romantic, and best of all, he’s crazy about Cassie. She thinks she’s found the guy she’ll spend the rest of her life with. Have children with. Grow old with. Yes, she knows about his perfect ex-girlfriend, Francesca. The beautiful, brilliant chef, beloved by all his friends. But she thinks Francesca is out of the picture. She thinks Francesca is gone for good. Think again, Cassie.

Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television "family."

Sloan will go through hell and back for those she loves. And she does so, every single day. Caught up with the alluring Asa Jackson, a notorious drug trafficker, Sloan has finally found a lifeline to cling to, even if it’s meant compromising her morals. She was in dire straits trying to pay for her brother’s care until she met Asa. But as Sloan became emotionally and economically reliant on him, he in turn developed a disturbing obsession with her—one that becomes increasingly dangerous every day.