The stories in The Dying Earth introduce dozens of seekers of wisom and beauty, lovely lost women, wizards of every shade of eccentricity with their runic amulets and spells. We meet the melancholy deodands, who feed on human flesh and the twk-men, who ride dragonflies and trade information for salt. There are monsters and demons. Each being is morally ambiguous: The evil are charming, the good are dangerous. All are at home.

Five intergalactic criminal masterminds raid the tranquil world of Mount Pleasant, leaving behind only ruin and slaughter - and the orphaned child Kirth Gersen, who comes to manhood swearing to take bloody revenge. Now Gersen roams the galaxy, bringing vengeance to the Demon Princes one by one, in Jack Vance's classic series of hardboiled space opera.

Stranded on the distant planet Tschai, young Adam Reith is the sole survivor of a space mission who discovers the world is inhabited - not only by warring alien cultures but by human slaves as well, taken early in Earth's history. Reith must find a way off the planet to warn Earth of Tschai's deadly existence.

When Michael Moorcock began chronicling the adventures of the albino sorcerer Elric, last king of decadent Melniboné, and his sentient vampiric sword, Stormbringer, he set out to create a new kind of fantasy adventure, one that broke with tradition and reflected a more up-to-date sophistication of theme and style. The result was a bold and unique hero: a rock-and-roll antihero who would channel all the violent excesses of the '60s into one enduring archetype.

In the ancient city of Lankhmar, two men forge a friendship in battle. The red-haired barbarian Fafhrd left the snowy reaches of Nehwon looking for a new life, while the Gray Mouser, apprentice magician, fled after finding his master dead. These bawdy brothers-in-arms cement a friendship that leads them through the wilds of Nehwon facing thieves, wizards, princesses, and the depths of their desires and fears.

Moon has spent his life hiding what he is - a shape-shifter able to transform himself into a winged creature of flight. An orphan with only vague memories of his own kind, Moon tries to fit in among the tribes of his river valley, with mixed success. Just as Moon is once again cast out by his adopted tribe, he discovers a shape-shifter like himself... someone who seems to know exactly what he is, who promises that Moon will be welcomed into his community.

Litany of the Long Sun contains the full texts of Nightside the Long Sun and Lake of the Long Sun that together make up the first half of The Book of the Long Sun. This great work is set on a huge generation starship in the same future as the classic Book of the New Sun (also available in two volumes from Orb).

For a game, the gods have given the world 12 Swords of Power so that they might be amused as the nations battle for their possession. But Vulcan the Smith has had his own little joke: the Swords can kill the gods themselves. What started out as Divine Jest has become all too serious as the gods fight to recover the Swords, and mortals discover that the mantle of power is more delicious and more terrible than anything they could have imagined.

The tales of The Silmarillion are set in an age when Morgoth, the first Dark Lord, dwelt in Middle-earth, and the High Elves made war upon him for the recovery of the Silmarils, the jewels containing the pure light of Valinor. Included on the recording are several shorter works. The Ainulindalë is a myth of the Creation and in the Valaquenta the nature and powers of each of the gods is described. The Akallabêth recounts the downfall of the great island kingdom of Númenor at the end of the Second Age, and Of the Rings of Power tells of the great events at the end of the Third Age.

For a thousand years the ash fell and no flowers bloomed. For a thousand years the Skaa slaved in misery and lived in fear. For a thousand years the Lord Ruler, the "Sliver of Infinity," reigned with absolute power and ultimate terror, divinely invincible. Then, when hope was so long lost that not even its memory remained, a terribly scarred, heart-broken half-Skaa rediscovered it in the depths of the Lord Ruler's most hellish prison.

After fourteen years of wrongful imprisonment, merchant sailor Edmond Dantès escapes his grim island fortress. With the promises of youth erased and his betrothed now married to someone else, Dantès lives for one purpose: revenge.

The ruling Asharites of Al-Rassan have come from the desert sands, but over centuries, seduced by the sensuous pleasures of their new land, their stern piety has eroded. The Asharite empire has splintered into decadent city-states led by warring petty kings. King Almalik of Cartada is on the ascendancy, aided always by his friend and advisor, the notorious Ammar ibn Khairan - poet, diplomat, soldier - until a summer afternoon of savage brutality changes their relationship forever.

Ragle Gumm has a unique job: Every day he wins a newspaper contest. And when he isn’t consulting his charts and tables, he enjoys his life in a small town, in 1959. At least, that’s what he thinks. But then strange things start happening. He finds a phone book where all the numbers have been disconnected, and a magazine article about a famous starlet named Marilyn Monroe, whom he’s never heard of. Plus, everyday objects are beginning to disappear and are replaced by strips of paper with words written on them, like "bowl of flowers" and "soft-drink stand".

Amber is the one real world, of which all others including our own Earth are but Shadows. Amber burns in Corwin's blood. Exiled on Shadow Earth for centuries, the prince is about to return to Amber to make a mad and desperate rush upon the throne.

This is a tale of sorrow, a tale of survival, a tale of one man's search for meaning in his universe, and how that search, and the indomitable will that drove it, gave birth to a legend.

Stranded on the distant planet Tschai, young Adam Reith is the sole survivor of a space mission who discovers the world is inhabited - not only by warring alien cultures but by human slaves as well, taken early in Earth's history. Reith must find a way off the planet to warn Earth of Tschai's deadly existence.

The stories in The Dying Earth introduce dozens of seekers of wisom and beauty, lovely lost women, wizards of every shade of eccentricity with their runic amulets and spells. We meet the melancholy deodands, who feed on human flesh and the twk-men, who ride dragonflies and trade information for salt. There are monsters and demons. Each being is morally ambiguous: The evil are charming, the good are dangerous. All are at home.

Five intergalactic criminal masterminds raid the tranquil world of Mount Pleasant, leaving behind only ruin and slaughter - and the orphaned child Kirth Gersen, who comes to manhood swearing to take bloody revenge. Now Gersen roams the galaxy, bringing vengeance to the Demon Princes one by one, in Jack Vance's classic series of hardboiled space opera.

Long ago when the Earth was flat, beautiful, indifferent Gods lived in the airy Upperearth realm above; curious, passionate demons lived in the exotic Underearth realm below; and mortals were relegated to exist in the middle. Azhrarn, Lord of the Demons and the Darkness, was the one who ruled the night, and many mortal lives were changed because of his cruel whimsy. And yet, Azhrarn held inside his demon heart a profound mystery which would change the very fabric of the Flat Earth forever.

In the land of Dorimare, on the shores of the Dapple and the Dawl, the law-abiding residents of Lud-in-the-Mist are plagued by an illegal influx of fairy fruit enticing people to acts of poetry, dancing, and other dangerous flights of fancy. When respectable Mayor Nathaniel Chanticleer finds his family entangled in the scandal, he must call upon both his sharp legal mind and his unacknowledged creative spirit to craft a reconciliation with the Faerie. Dare to embrace your wild side in this classic fantasy. Suitable for ages eight and up.

For generations the misty Shadowline has marked the boundary between the lands of men and the lost northern lands that are the lair of their inhuman enemies, the ageless Qar. But now that boundary line is moving outward, threatening to engulf the northernmost land in which humans still live - the kingdom of Southmarch.

In a world half of light, half of darkness, where science and magic strive for dominance, there dwells a magical being who is friendly with neither side. Jack, of the realm of shadows, is a thief who is unjustly punished. So he embarks on a vendetta.

Bellona is a city at the dead center of the United States. Something has happened there...the population has fled. Madmen and criminals wander the streets. Strange portents appear in the cloud-covered sky. And into this disaster zone comes a young man - a poet, a lover, and an adventurer - known only as the Kid.

In a world scarred by an apocalyptic past, evoking a time both 2,000 years past and 2,000 years into the future, untold thousands gather for a crusade. Among them, two men and two women are ensnared by a mysterious traveler, Anasûrimbor Kellhus - part warrior, part philosopher, part sorcerous, charismatic presence - from lands long thought dead. The Darkness That Comes Before is a history of this great holy war, and like all histories, the survivors write its conclusion.

A Fire Upon the Deep is the big, breakout book that fulfills the promise of Vinge's career to date: a gripping tale of galactic war told on a cosmic scale. Thousands of years hence, many races inhabit a universe where a mind's potential is determined by its location in space, from superintelligent entities in the Transcend, to the limited minds of the Unthinking Depths, where only simple creatures and technology can function.

When Michael Moorcock began chronicling the adventures of the albino sorcerer Elric, last king of decadent Melniboné, and his sentient vampiric sword, Stormbringer, he set out to create a new kind of fantasy adventure, one that broke with tradition and reflected a more up-to-date sophistication of theme and style. The result was a bold and unique hero: a rock-and-roll antihero who would channel all the violent excesses of the '60s into one enduring archetype.

Aram thinks he’s nothing but a misfit from a small fishing village in a dark corner of the world. As far as Aram knows, he has nothing, with hardly a possession to his name other than a desire to make friends and be accepted by those around him, which is something he’s never known. But Aram is more. Much, much more. Unknown to him, Aram bears within him a gift so old and rare that many people would kill him for it, and there are others who would twist him to use for their own sinister purposes.

Somewhere on the frontier between thought and reality exists the Discworld, a parallel time and place that might sound and smell very much like our own, but which looks completely different. Particularly as it’s carried though space on the back of a giant turtle (sex unknown). It plays by different rules. But then, some things are the same everywhere. The Disc’s very existence is about to be threatened by a strange new blight: the world’s first tourist, upon whose survival rests the peace and prosperity of the land.

The planet of Kiln is where the tyrannical Mandate keeps its prison colony, and for inmates, the journey there is always a one-way trip. One such prisoner is Professor Arton Daghdev, xeno-ecologist and political dissident. Soon after arrival, he discovers that Kiln has a secret. Humanity is not the first intelligent life to set foot there. In the midst of a ravenous, chaotic ecosystem are the ruins of a civilization, but who were the vanished builders and where did they go?

For the first time ever, the H.P. Lovecraft Historical Society has produced an audio recording of all of Lovecraft's stories. These are not dramatizations like our Dark Adventure Radio Theatre - rather, this is an audiobook of the original stories, in all-new, never-before-heard recordings made by the HPLHS' own Andrew Leman and Sean Branney exclusively for this collection. This collection spans his entire career from his earliest surviving works of childhood to stories completed shortly before his death. All tales include original music by HPLHS composer Troy Sterling Nies.