Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

Cassie thinks she has met the perfect man. Joel is sweet, handsome, romantic, and best of all, he’s crazy about Cassie. She thinks she’s found the guy she’ll spend the rest of her life with. Have children with. Grow old with. Yes, she knows about his perfect ex-girlfriend, Francesca. The beautiful, brilliant chef, beloved by all his friends. But she thinks Francesca is out of the picture. She thinks Francesca is gone for good. Think again, Cassie.

Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television "family."

Sloan will go through hell and back for those she loves. And she does so, every single day. Caught up with the alluring Asa Jackson, a notorious drug trafficker, Sloan has finally found a lifeline to cling to, even if it’s meant compromising her morals. She was in dire straits trying to pay for her brother’s care until she met Asa. But as Sloan became emotionally and economically reliant on him, he in turn developed a disturbing obsession with her—one that becomes increasingly dangerous every day.

Poe Webb, host of a popular true crime podcast, invites people to anonymously confess crimes they’ve committed to her audience. She can’t guarantee the police won’t come after her “guests,” but her show grants simultaneous anonymity and instant fame—a potent combination that’s proven difficult to resist. After an episode recording, Poe usually erases both criminal and crime from her mind. But when a strange and oddly familiar man appears on her show, Poe is forced to take a second look.

Bree knew that life married to a beat cop would be tough, especially in the crime-infested city of East Bernheim, but she believes they will be fine living in the Burner even after she has their first child. Family life is manageable until one day crime follows them home, threatening their safety. At a loss of how to keep his family safe and keep his job, Jake agrees to stretch their finances and move an hour away, to a bigger house in a somewhat better neighborhood.

Gemma Robinson comes into Elliot’s life like a whirlwind, and they marry and settle into his home. When she asks him if her parents can come to stay for a couple of weeks, he is keen to oblige - he just doesn’t quite know what he’s signing up for. The Robinsons arrive with Gemma’s sister, Chloe, a mysterious young woman who refuses to speak or leave her room.

Ethan Dove’s family has moved to a new home in a safe community, and it’s exactly the fresh start they need. Not only is his marriage to Emma hanging by a thread, but his son, Dylan, and twelve-year-old daughter, Rose, deserve to have a happy childhood. After Rose is bullied by the boys across the road, Ethan is relieved when the woman who lives next door steps in. Fiona Smith has come into their lives at just the right moment, and when she offers to look after Rose during the school holidays, Ethan and Emma can’t believe their luck.

Everyone in the village loves Joni Blackwood. She is beautiful and bold, and it's no surprise to anyone when on the annual village bonfire, she is crowned 'queen' of the festivities. After all, despite fierce competition from the charity-giving and churchgoing mothers in the village, she has won this honour five years in a row.

After years apart, old college friends Aline, Sienna, Rob, Michael, and Brandon reunite in idyllic Dorset, for a weekend at Aline’s beautiful house perched on a cliff above the sea. It should be the perfect chance to relax, rekindle friendships, and meet each other’s partners; plus, there’s a sitter to watch the kids. What most of the guests don’t know, however, is that Aline has called them all together for a reason: someone has threatened to expose the dark crime they committed at university. Long ago, these old friends swore one another to silence, and have never spoken of the deed since.

Jocelyn is ready to get married—and more ready to have fun. She plans a bachelorette trip to North Wales, where she can forget about her strained relationship and focus on the tension among friends instead. It’s a welcome distraction. Her friend Rowan used to be the wild child. But after having a kid of her own and losing the father in a tragic accident, she’s now the ever-responsible single mother, cautious in every way. Except one.

Meg Russo was behind the wheel when it happened. She and her husband Justin were driving their daughter Lily to Ithaca College, the family celebrating the eighteen-year-old music prodigy’s future. Then a car swerved up beside them, the young men inside it behaving bizarrely—and Meg lost control of her own vehicle. The family road trip turned into a tragedy. Justin didn’t survive the accident.

Siblings Hazel and Kagan Bailey haven’t been close for a long time, but when their mother passes under mysterious circumstances an investigation quickly follows, and the siblings are high on the list of possible suspects. As they deal with the emotional tragedy of losing their only living parent, brother and sister are forced to team up against a master con man—someone they once called “family”. After the silver-tongued trickster disappears with the family fortune, Hazel and Kagan must put aside their differences to track him down.

Hazel and Fox are an ordinary married couple with a baby. Except for one small thing: they're murderers. Well, they used to be. They had it all. An enviable London lifestyle, five-star travels, and plenty of bad men to rid from the world. Then Hazel got pregnant. Now, they’re just another mom-and-dad-and-baby. They gave up vigilante justice for life in the suburbs: arranged play dates instead of body disposals, diapers over daggers, mommy conversations instead of the sweet seduction right before a kill. And Hazel finds her new life terribly dull.

Charismatic daredevil and extreme adventurer Maverick Dillan invites you to the ultimate game of hide-and-seek. But as the players gather on Falcao Island, the event quickly spirals into a chilling test of survival. A storm rages as a deadly threat stalks the contestants, turning the challenge into something far more sinister than the social media stunt it was intended to be.

Dr. Laurel Harlow can’t believe she’s agreed to do a reality TV show. But her years as a chemical dependency counselor and personal history with the show’s director make her the obvious choice. Treating a mansion full of former child stars on the road to recovery is the tallest order of her career—especially when one of them turns up dead while the cameras are still rolling.

A Silicon Valley fixer investigates a billionaire founder's death while pursuing her own agenda in this twisty, sharply observed debut mystery from a tech world insider.

Camille Gardener is a grieving - and angry - mother who, five years after her daughter’s death, is still obsessed with the privileged young man she believes to be responsible. When her rash actions draw the attention of a secret group of women - the collective - Camille is drawn into a dark web where these mothers share their wildly different stories of loss as well as their desire for justice in a world where privilege denies accountability. Fueled by mutual rage, the collective members devise and act out retribution fantasies via anonymous, highly coordinated revenge killings.

Naomi is devastated when the sale of the apartment falls through, her dreams of moving to an amazing ‘forever home’ nearby with her family are momentarily dashed. But then a sweet-natured single mother named Summer appears, announcing her intention to buy Naomi’s old apartment. And all of a sudden, it looks like Naomi might get her new house after all. At first, it feels like Summer’s saved her life. But as soon as the sale goes through, Summer starts turning up at Naomi’s new house. She’s enrolled her child in Naomi’s daughter’s class. She’s dressing like Naomi.