Wenden

Julia Cummings has long been acquainted with loss - her mother, her brother, her sister, her friend, all gone too soon. But the loss that pushed her grief to the limit as a young girl was that of her best friend, Lucas Jonquil, who abandoned her without looking back. Now, eight years later, Lucas has returned to Lampton Park, and Julia has steeled herself - she will never forgive the man who broke her heart.

As eager as Beatrice, Duchess of Kesgrave, is to meet her husband’s newly discovered illegitimate half sister, she does not want it to happen like this: in the keeper's house at Newgate. Yes, that Newgate, the abject prison filled with squalor and misery to which Verity Lark has been consigned for murder. Found standing over the slain corpse of an old tormentor with a still-warm pistol in her hand, she is obviously guilty. It is an open-and-shut case with little for an unduly curious duchess to investigate. Except it all seems a little too simple and straightforward.

When shy Miss Eliza Balfour married the austere Earl of Somerset, twenty years her senior, it was the match of the season--no matter that he was not the husband Eliza wanted. Now, ten years later, Eliza is widowed. Suddenly, she is left titled, rich, and, for the first time in her life, utterly in control of her own future. She’s always lived by society’s conventions, but now, Eliza has resolved to do as she wants. And what she wants is to head to Bath with her cousin Margaret, pursue painting, learn to drive, and flirt with Bath’s most alluring new resident, the infamous Lord Melville.

Lord Rosemorran has purchased a wax figure of a beautiful reclining woman and asks Stoker to incorporate a clockwork mechanism to give the Rosemorran Collection its own Sleeping Beauty in the style of Madame Tussaud’s. But when Stoker goes to cut the mannequin open to insert the mechanism, he makes a gruesome discovery: this is no wax figure. The mannequin is the beautifully preserved body of a young woman who was once very much alive. But who would do such a dreadful thing, and why?

Tabitha, Lady Chesterton, the Countess of Pembroke, is newly widowed at only 22 years of age. With no son to inherit the title, it falls to a dashing, distant cousin of her husband's, Jeremy Chesterton, known as Wolf. It quickly becomes apparent that Wolf had consorted with some of London's most dangerous citizens before inheriting the title. Can he leave this world behind, or will shadowy figures from his past follow him into his new aristocratic life in Mayfair? And can Tabitha avoid being caught up in Wolf's dubious activities?

No, no, no! It doesn't matter how many times the Duchess of Trent (The Harlow Hoyden) requests her help with a delicate matter regarding a patent for her sister's invention, Tuppence Templeton will not lend a hand. She has a habit, yes, of coming up with ingenious plans to solve other people's problems, and it is true that she's clever and daring enough to pull off the proposed scheme. But there's no way she's going to confront the arrogant and dismissive Earl of Gage again.

Thea Knight loves a spot of mischief. She especially loves her current mischief: masquerading as her sister, while finalizing her scheme to expose the dastardly knaves whose lies ruined her life. Then big, bad-tempered Lord Luxborough upends her game by maneuvering her into marriage. But it's her sister’s name on the license, so the marriage won’t be valid. Thea’s idea? Keep pretending to be her sister until she can run away.

As a con woman who has spent her entire life fending for herself on the streets of London, Rose Wakefield knows how to scam a gentleman out of his money without ever getting caught. That's until she knocks on the wrong earl's door and is faced with Carver Ashburn Earl of Kensworth and not the notorious rake she thinks she is approaching. Carver is a good man, but even a good man will not pass up an opportunity to escape his grief. What better way to avoid his feelings than to play into a con woman's ruse and offer to marry her?

Lady Virginia Macon, the recently widowed baroness of Heatherton, has an impossible decision to make. Her late husband's unscrupulous brother demands guardianship of her sons. The courts are on his side, unless she marries someone willing to stand in her late husband's place. Locking her heart away and devoting herself to her children is the only way Virginia can countenance such a decision. Wearied by the world, Lucas Calvert, wealthy earl of Annesbury, is tired of being alone. When he learns of Virginia's plight, he knows he can save her and her sons.

Imagine if you made one little mistake when you were young and were punished for it for the rest of your life. Well, that’s what happened to Lydia (yes, that Lydia, the youngest Bennet sister from Pride and Prejudice), and she’s here to set the record straight. Hold on to your teacups and get ready for sophisticated (and a little bit naughty) hot takes and witty banter that’ll make you laugh—and think. We meet Lydia just as she is denounced by her family, exiled miles from home, and married to the rogue George Wickham, who seems to love all women...except his own wife.