MorMor, Esquire

Rosalind Brown's Practice shows us just one day. Annabel, sitting in her small student room, attempts to write an essay about Shakespeare. She follows a meticulous, solitary routine but finds it repeatedly thrown off course as the day progresses: by family and friends who demand her attention and time, by thoughts of her much older boyfriend and his impending visit, by wild sexual fantasies and stories of her own invented characters—and by darker crises, obliquely glimpsed but capable of derailing Annabel's carefully laid plans.

The Barnes family is in trouble. Dickie’s once-lucrative car business is going under—but Dickie is spending his days in the woods, building an apocalypse-proof bunker with a renegade handyman. His wife, Imelda, is selling off her jewelry on eBay and half-heartedly dodging the attention of fast-talking cattle farmer Big Mike, while their teenage daughter, Cass, formerly top of her class, seems determined to binge drink her way through her final exams. As for twelve-year-old PJ, he’s on the brink of running away.

Assistant DA Kate Stone has just suffered the biggest loss of her career. She’d worked so hard to prosecute a serial assaulter of women, and it was a case she should have won. But a corrupt judge allowed Max James to walk free. When he confronts her outside the courthouse, she punches James, and he goes down hard. After the footage is plastered across every TV screen, Kate’s boss demands that she either attend anger-management meetings or give up the job she lives for.