Bowie
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Narrated by:
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Simon Critchley
About this listen
Simon Critchley first encountered David Bowie in the early '70s, when the singer appeared on Britain's most-watched music show, Top of the Pops. His performance of "Starman" mesmerized Critchley: it was "so sexual, so knowing, so strange". Two days later Critchley's mum bought a copy of the single; she liked both the song and the performer's bright orange hair (she had previously been a hairdresser). The seed of a lifelong love affair was thus planted in the mind of her son, aged 12.
In this concise and engaging excursion through the songs of one of the world's greatest pop stars, Critchley, whose writings on philosophy have garnered widespread praise, melds personal narratives of how Bowie lit up his dull life in southern England's suburbs with philosophical forays into the way concepts of authenticity and identity are turned inside out in Bowie's work. The result is nearly as provocative and mind-expanding as the artist it portrays.
©2014 Simon Critchley (P)2014 Audible Inc.Listeners also enjoyed...
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In her bestselling autobiography, Bedsit Disco Queen, Tracey Thorn recalled the highs and lows of a 30-year career in pop music. But with the touring, recording and extraordinary anecdotes, there wasn't time for an in-depth look at what she actually did for all those years: sing. She sang with warmth and emotional honesty, sometimes while battling acute stage fright.
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Fascinating
- By Jane Sheedy on 01-11-17
By: Tracey Thorn
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Where the Heart Beats
- John Cage, Zen Buddhism, and the Inner Life of Artists
- By: Kay Larson
- Narrated by: Jason Wineinger
- Length: 15 hrs and 25 mins
- Unabridged
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Composer John Cage sought the silence of a mind at peace with itself - and found it in Zen Buddhism, a spiritual path that changed both his music and his view of the universe. "Remarkably researched, exquisitely written", Where the Heart Beats weaves together "a great many threads of cultural history" (Maria Popova, Brain Pickings) to illuminate Cage’s struggle to accept himself and his relationship with choreographer Merce Cunningham. Freed to be his own man, Cage originated exciting experiments that set him at the epicenter of a new avant-garde forming in the 1950s.
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Mind Expansion
- By Robert Keith on 04-04-15
By: Kay Larson
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On Elizabeth Bishop
- By: Colm Tóibín
- Narrated by: John Keating
- Length: 5 hrs and 1 min
- Unabridged
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In this book novelist Colm Tóibín offers a deeply personal introduction to the work and life of one of his most important literary influences - the American poet Elizabeth Bishop. Ranging across her poetry, prose, letters, and biography, Tóibín creates a vivid picture of Bishop while also revealing how her work has helped shape his sensibility as a novelist and how her experiences of loss and exile resonate with his own.
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ELIZABETH BISHOP
- By chetyarbrough.blog on 05-19-16
By: Colm Tóibín
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Who I Am
- By: Pete Townshend
- Narrated by: Pete Townshend
- Length: 17 hrs and 56 mins
- Unabridged
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From the voice of a generation: the most highly anticipated autobiography of the year, and the story of a man who wanted The Who to be called The Hair; wanted to be a sculptor, a journalist, a dancer and a graphic designer; became a musician, composer, librettist, fiction writer, literary editor, sailor; drank too much and nearly died; detached from his body in an airplane, on LSD, and nearly died; planned to write his memoir when he was 21; and published this book at 67.
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Glad To Meet You
- By Mel on 10-12-12
By: Pete Townshend
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Uncle Vanya
- By: Anton Chekhov, David Mamet, Vlada Chernornirdik
- Narrated by: Josh Radnor, Stacy Keach, Martin Jarvis, and others
- Length: 2 hrs and 8 mins
- Original Recording
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Adapted by David Mamet from a translation by Vlada Chernornirdik. In this classic of Chekhov’s canon, an overbearing professor pays a visit to his country estate, where Sonya and Vanya, his daughter and former brother-in-law, have slaved to maintain his wealth. But Vanya is enchanted by the professor’s new wife, while Sonya has fallen for the town’s melancholy doctor. Includes a conversation with Rosamund Bartlett, author of Chekhov: Scenes from a Life.
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Poor American soap
- By tyrone on 10-22-17
By: Anton Chekhov, and others
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- Substance, Structure, Style, and the Principles of Screenwriting
- By: Robert McKee
- Narrated by: Robert McKee
- Length: 6 hrs and 12 mins
- Abridged
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Robert McKee's screenwriting workshops have earned him an international reputation for inspiring novices, refining works in progress, and putting major screenwriting careers back on track. Quincy Jones, Diane Keaton, Gloria Steinem, Julia Roberts, John Cleese, and David Bowie are just a few of his celebrity alumni. Writers, producers, development executives, and agents all flock to his lecture series, praising it as a mesmerizing and intense learning experience.
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Only 5 Chapters
- By Stephen Buck on 02-15-11
By: Robert McKee
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Ted Hughes
- The Unauthorized Life
- By: Jonathan Bate
- Narrated by: Mike Grady
- Length: 25 hrs and 33 mins
- Unabridged
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Ted Hughes, poet laureate, was one of the greatest writers of the 20th century. With an equal gift for poetry and prose, and with a soul as capacious as any poet in history, he was also a prolific children's writer and has been hailed as the greatest English letter writer since John Keats. His magnetic personality and insatiable appetite for friendship, love, and life also attracted more scandal than any poet since Lord Byron.
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Phenomenal thanks to narrator!
- By equinox14 on 06-26-16
By: Jonathan Bate
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Fury
- By: Salman Rushdie
- Narrated by: Salman Rushdie
- Length: 9 hrs and 5 mins
- Unabridged
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The world renowned author of The Satanic Verses and The Ground Beneath Her Feet, Salman Rushdie is a Whitbread Award winner and recipient of the Booker Prize. His first truly American novel, Fury is a metaphorically rich black comedy that reflects the pressure-cooker of modern life. Malik Solanka, irascible doll-maker and retired historian of ideas, suffers the pain of wanting without knowing exactly what it is he wants.
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surprisingly good
- By David on 11-21-07
By: Salman Rushdie
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A Little Devil in America
- Notes in Praise of Black Performance
- By: Hanif Abdurraqib
- Narrated by: JD Jackson
- Length: 9 hrs and 38 mins
- Unabridged
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“I was a devil in other countries, and I was a little devil in America, too.” Inspired by these few words, spoken by Josephine Baker at the 1963 March on Washington, MacArthur “Genius Grant” Fellow and best-selling author Hanif Abdurraqib has written a profound and lasting reflection on how Black performance is inextricably woven into the fabric of American culture. Filled with sharp insight, humor, and heart, A Little Devil in America exalts the Black performance that unfolds in specific moments in time and space
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Magical
- By Mary A. Ardoin on 05-11-21
By: Hanif Abdurraqib
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Poetry in Person
- Twenty-five Years of Conversation with America's Poets
- By: Lucille Clifton, Alexander Neubauer - editor, Eamon Grennan, and others
- Narrated by: Alexander Neubauer
- Length: 5 hrs and 55 mins
- Unabridged
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This first audio edition of Poetry in Person: 25 Years of Conversation with America’s Poets (Knopf, 2010), invites listeners into an intimate classroom with eight acclaimed poets. Full of compelling, in-depth conversation about manuscripts and drafts by the poets themselves, plus readings of the finished poems, these historic recordings offer one of the most detailed portraits ever produced of how poems are actually made.
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Fascinating
- By d on 08-28-16
By: Lucille Clifton, and others
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The Philosophy of Modern Song
- By: Bob Dylan
- Narrated by: Bob Dylan, Jeff Bridges, Steve Buscemi, and others
- Length: 6 hrs and 38 mins
- Unabridged
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Dylan, who began working on the book in 2010, offers his insight into the nature of popular music. He writes over sixty essays focusing on songs by other artists, spanning from Stephen Foster to Elvis Costello, and in between ranging from Hank Williams to Nina Simone. He analyzes what he calls the trap of easy rhymes, breaks down how the addition of a single syllable can diminish a song, and even explains how bluegrass relates to heavy metal. These essays are written in Dylan’s unique prose. And while ostensibly about music, they are really meditations on the human condition.
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Needs chapter headings
- By kaon on 12-22-22
By: Bob Dylan
What listeners say about Bowie
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Airiq Montano
- 08-09-22
always enjoy others thoughts of artists I love.
although you can tell the author is very passionate. the writing tends to become a little to scripted. generalizing the whole book rather than making it an experience of experiences.
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Overall
- Thomas
- 02-20-15
the best music culture theory book that exists
the deepest and riveting piece of music criticism i have ever read. and i sm occasionally in the music press. to come even close we're looking at work like modris eksteins rite of spring or gesualdos death in five voices or david byrnes how does music work. but everything mentioned and critchleys book as well are singularities and have only the faintest similarities insofar as they are narrative meditations about music. this is avery special book.
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3 people found this helpful
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- JRJ
- 05-17-21
One Man’s Love Letter to Bowie’s Musical Journey
Expected a more traditional biography but found a distanced exploration of Bowie from one man’s perception and experience as a lifelong fan. For this novice, the book provided new insights as to Bowie’s overall catalogue. One has to wonder if the author, like an English teacher, is finding meaning where there is none.
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- Anthony G. Dispenza
- 06-07-20
decent
devout bowie fans will find some new insights into Bowie as a person, what he believed, as well as his music. For the price and time spent listening, you might as well. it's artistic and philosophical, not pop culture anti-intellectualism.
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1 person found this helpful
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- Ken Bachman
- 05-25-22
Could not finish
If you are expecting a biography of Bowie's life this is not it. Instead, the author dives deep into lyrical philosophy and existential contemplation. It's more about the author's connection to the musician as opposed to understanding the life of this exceptional man. The end result: an intellectual adjective-infused soliloquy that leaves the listener with a puzzled, "Could you repeat that sentence? You lost me." Not for me....zzzzzz.....
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