
The Jazz Standards
A Guide to the Repertoire
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Narrated by:
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Bob Souer
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By:
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Ted Gioia
About this listen
Written by award-winning jazz historian Ted Gioia, this comprehensive guide offers an illuminating look at more than 250 seminal jazz compositions. In this comprehensive and unique survey, here are the songs that sit at the heart of the jazz repertoire, ranging from "Ain't Misbehavin'" and "Autumn in New York" to "God Bless the Child," "How High the Moon," and "I Can't Give You Anything But Love."
Gioia includes Broadway show tunes written by such greats as George Gershwin and Irving Berlin, and classics by such famed jazz musicians as Miles Davis, Thelonious Monk, Duke Ellington, and John Coltrane. The audiobook offers vibrant discussions of each song, packed with information about how the song was written, who recorded it, the song's place in jazz history, and much more. Gioia includes recommendations for more than 2,000 recordings, with a list of suggested tracks for each song. Filled with colorful anecdotes and expert commentary, The Jazz Standards will appeal to a wide audience, serving as a fascinating introduction for new fans, an invaluable and long-needed audiobook for jazz lovers and musicians, and an indispensable reference for students and educators.
©2012 Ted Gioia (P)2014 Audible Inc.Listeners also enjoyed...
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In Catch a Wave, Peter Ames Carlin pulls back the curtain on Brian Wilson, one of popular music's most revered luminaries, as well as its biggest mystery. Drawing on hundreds of interviews and never-before heard studio recordings, Carlin follows the Beach Boys from their earliest days through Brian's deepening emotional problems to his triumphant re-emergence with the release of Smile, the legendarily unreleased album he had originally shelved.
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In her bestselling autobiography, Bedsit Disco Queen, Tracey Thorn recalled the highs and lows of a 30-year career in pop music. But with the touring, recording and extraordinary anecdotes, there wasn't time for an in-depth look at what she actually did for all those years: sing. She sang with warmth and emotional honesty, sometimes while battling acute stage fright.
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Fascinating
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Riley “Blues Boy” King (1925-2015) was born into deep poverty in Jim Crow Mississippi. Wrenched away from his sharecropper father, B.B. lost his mother at age 10, leaving him more or less alone. Music became his emancipation from exhausting toil in the fields. Inspired by a local minister’s guitar and by the records of Blind Lemon Jefferson and T-Bone Walker and encouraged by his cousin, the established blues man Bukka White, B.B. taught his guitar to sing in the unique solo style that, along with his relentless work ethic and humanity, became his trademark.
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Excellent
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Elton John is as much loved for his outrageous personality and witty outspokenness as for his music. Such shamelessness and sheer silliness rivals anything uttered by punk rockers, yet it is so typically Elton: honest and intemperate. Tragedy and heartbreak have played a large part in his life. Behind the parties, the hedonism, the lavish stage costumes, and silly glasses lies a more somber story. Between disputes with managers, legal wranglings, public breakups, and divorce, John has been faced with serious health problems and drug addictions.
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Trite!
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Your Song Changed My Life
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From the beloved host and creator of NPR's All Songs Considered and Tiny Desk Concerts comes an essential oral history of modern music, told in the voices of iconic and up-and-coming musicians, including Dave Grohl, Jimmy Page, Michael Stipe, Carrie Brownstein, Smokey Robinson, and Jeff Tweedy, among others - published in association with NPR Music.
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Cool if you know all interviewed artists
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The remarkable life and times of the man who popularized American folk music and created the science of song. Folklorist, archivist, anthropologist, singer, political activist, talent scout, ethnomusicologist, filmmaker, concert and record producer, Alan Lomax is best remembered as the man who introduced folk music to the masses. Lomax began his career making field recordings of rural music for the Library of Congress and by the late 1930s brought his discoveries to radio, including Woody Guthrie, Pete Seeger, and Burl Ives.
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They Done Good
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Fire and Rain
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January 1970: the Beatles assemble one more time to put the finishing touches on Let It Be; Crosby, Stills, Nash & Young are wrapping up Déjà Vu; Simon and Garfunkel are unveiling Bridge Over Troubled Water; James Taylor is an upstart singer-songwriter who's just completed Sweet Baby James. Over the course of the next twelve months, their lives---and the world around them---will change irrevocably.
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Fascinating information, easy to listen
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Music
- A Subversive History
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- Narrated by: Jamie Renell
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Histories of music overwhelmingly suppress stories of the outsiders and rebels who created musical revolutions and instead celebrate the mainstream assimilators who borrowed innovations, diluted their impact, and disguised their sources. In Music: A Subversive History, Ted Gioia reclaims the story of music for the riffraff, insurgents, and provocateurs. Gioia tells a 4,000-year history of music as a global source of power, change, and upheaval.
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Squeezing cherry-picked facts into a simplistic narrative
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Relentless
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Yngwie Malmsteen's revolutionary guitar style - combining elements of classical music with the speed and volume of heavy metal - made him a staple of the 80s rock scene. Decades later, he's still a legend among guitarists, having sold 11 million albums and influenced generations of rockers since. In Relentless, Malmsteen shares his personal story, from the moment he burst onto the scene seemingly out of nowhere in the early 80s to become a household name in the annals of heavy metal.
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Bloviations
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Here Comes the Night
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Here Comes the Night: Bert Berns and the Dirty Business of Rhythm and Blues is both a definitive account of the New York rhythm and blues world of the early '60s, and the harrowing, ultimately tragic story of songwriter and record producer Bert Berns, whose meteoric career was fueled by his pending doom. His heart damaged by rheumatic fever as a youth, doctors told Berns he would not live to see 21. Although his name is little remembered today, Berns worked alongside all the greats of the era.
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Great book.
- By The Blimmer on 10-14-23
By: Joel Selvin
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In the winter of 1926, when everybody everywhere sees nothing but good things ahead, Joe Trace, middle-aged door-to-door salesman of Cleopatra beauty products, shoots his teenage lover to death. At the funeral, Joe’s wife, Violet, attacks the girl’s corpse. This novel “transforms a familiar refrain of jilted love into a bold, sustaining time of self-knowledge and discovery. Its rhythms are infectious” (People).
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The audio is not the same as the book
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What listeners say about The Jazz Standards
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- tvey
- 03-18-15
Great resource, but could be greatly improved
This audiobook could be worth much more if the chapters were actually tune names (or perhaps the alphabet, with song names as sub-chapters).
It would be absolutely PRICELESS if it also linked to / contained the actual recordings the author is referring to!
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13 people found this helpful
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- Daniel
- 03-30-18
Great reference, Loved it
If you could sum up The Jazz Standards in three words, what would they be?
Buying the Hard copy as well.
What other book might you compare The Jazz Standards to and why?
I haven't come across another book like this to compare it too..
What does Bob Souer bring to the story that you wouldn’t experience if you just read the book?
just fine ...
Was there a moment in the book that particularly moved you?
the history as a brief description...awesome
Any additional comments?
As a Jazz enthusiast I Highly recommended as a must have in your Library...
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1 person found this helpful
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- John
- 09-19-19
Great Listen but better as reference material
I enjoyed listening to the book though it is slightly odd as an audio book (being that it is an A-Z index of songs). Nothing really special about the performance but the narrator does seem to capture the mood and intent of the author (I thought). I decided to also get the kindle book so I could refer to the descriptions of songs I’m interested in.
The book covers various aspects of these jazz standards that the author finds interesting. Sometimes coverage of a tune describes the progressions and changes, while other times it focuses more on the history of the song or the composer or artists who have employed the piece extensively. Often there are comparisons of different versions that have taken the song through different treatments of genre, tempo, reharmonization, or time signature.
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- Patrick
- 08-30-14
Great info, but not ideal in audio format
Any additional comments?
While this book offers interesting insight and info on the origins of the Great American Songbook, the format presents the information in alphabetical order, a great format for thumbing through as with a reference book, but not so good as an entertaining listen. It's like hearing the dictionary or encyclopedia read to you page by page. I'm an an avid fan of jazz and a 10 year fan of audible, but this is a tough audio book to "enjoy" as I usually do. I just want listeners to be prepared for the unconventional structure. I thought it was going to follow a more anecdotal or story-like format based on different periods of jazz history. For that kind of audio, I highly recommend the Great American Music lecture series.
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31 people found this helpful
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- W. Norman
- 01-22-18
Sets a new standard itself
Eloquent, witty, concise, punchy, comprehensive. Can stand in as a brief history and musicology of jazz. Help yourself to one of the several long playlists that various users have created on Spotify to gather most of Giola’s recommended versions of each song. The narration sounds fine, to my ears, played back at 1.25x.
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2 people found this helpful
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- David Bangs
- 11-07-24
Boring voice reading long lists
I’m sure the book is interesting, but this audio is read by a generic narrator who literally reads long lists and tables out loud. The lists would only be useful in a reference book.
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- megan zusne
- 08-16-21
Uninformed & dull reader
Boring reader was at first good for putting me to sleep, despite my great interest in this topic. Then he mispronounced a well-known musician’s name.
Then he made awkward or misplaced pauses when reading about musical performances, leading me to believe he is not a musician & probably should not have been selected to narrate this book. Then he mispronounced two more musicians’s names. It’s too distracting & frustrating. I cannot finish listening.
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- sj767
- 05-10-16
Great reference in book format. Audio? Nope.
What disappointed you about The Jazz Standards?
I mistakenly thought the audio presentation might include a sample or two of some of the standards featured. Anything to break up the monotony of reading through an alphabetical catalog of featured standards.
Would you recommend The Jazz Standards to your friends? Why or why not?
I would in print format. I think the book is a fine, well-documented reference guide to most of the Jazz standards, replete with commentary on the historical framework and backdrop surrounding each. It would be enriching for example, to open the book and thumb to the reference on "Autumn in New York" when sitting down to play it.
Have you listened to any of Bob Souer’s other performances before? How does this one compare?
I have not listened to his other performances. Mr. Souer's delivery of the material in this book was engaging and well-crafted. Given the handicapping nature of the material itself and its organization as a reference book, I'd say Mr. Souer did an admirable job.
What reaction did this book spark in you? Anger, sadness, disappointment?
The audio version sparked no real reaction at all - - which was part of the problem :-)
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7 people found this helpful
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- R. Smith
- 01-11-17
Not recommended as an audio book
This is a very tedious audio book for people who listen to audio books while driving. The basic pattern is that each of the standards is covered in a short chapter. That's good. However, the references to recordings at the end of each short chapter ruin the experience. If the audio book were to be re-done without the references to recordings, it would be greatly improved. If each chapter began with a short audio clip of what the tune sounds like, it would be a five star book.
It's a good idea, a good story, and good narration. I hope my review does not negatively reflect on the narrator because he does a fine job.
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9 people found this helpful
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- jc meier
- 01-16-20
This is a reference book
This does not transition well into an audio book. This is a reference book, and makes for boring listening. If you are needing this book, get the hard copy. I use this as a reference for learning standards and getting the history on the standards.
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