Welcome to Maple Bay, Nova Scotia. For nearly a century, people have ventured to the idyllic seaside town of Maple Bay in search of a legendary lost pirate treasure, but locals know there’s more than just gold buried in the sand. As the paths of three strangers converge in Maple Bay, the truth is about to be blown wide open. But not before the bodies start to pile up. Peter Barnett is rapidly approaching forty with little to show for it when a mysterious letter invites him to Maple Bay and the mansion his estranged family has called home for generations.

Cordelia Black loves exactly three things: her chosen family, her hairdresser (worth every penny plus tip), and killing bad men. By day she's an ambitious pharma rep with a flawless reputation and designer wardrobe. By night, she culls South Louisiana of unscrupulous men—monsters who think they've evaded justice, until they meet her. Sure, the evening news may have started throwing around phrases like serial killer, but Cordelia knows that's absurd. But when Cordelia discovers a flaw in her perfectly designed system for eliminating monsters, pressure heightens.

Claudia is used to disregarding her fractious family’s model-minority expectations: she has no interest in finding either a conventional career or a nice Chinese boy. She’s also used to keeping secrets from them, such as that she prefers girls—and that she's just been stealth-recruited by Veracity, a referrals-only online-dating detective agency.

It’s 1999 in Southeast Texas and the Evans women, owners of the only funeral parlor in town, are keeping steady with…normal business. The dead die, you bury them. End of story. That’s how Ducey Evans has done it for the last eighty years, and her progeny—Lenore the experimenter and Grace, Lenore’s soft-hearted daughter, have run Evans Funeral Parlor for the last fifteen years without drama. Ever since That Godawful Mess that left two bodies in the ground and Grace raising her infant daughter Luna, alone.

Meet Maggie Chase and Ethan Wyatt: She’s the new Queen of the Cozy Mystery. He’s Mr. Big-time Thriller Guy. She hates his guts. He thinks her name is Marcie (no matter how many times she’s told him otherwise.) But when they both accept a cryptic invitation to attend a Christmas house party at the English estate of a reclusive fan, neither is expecting their host to be the most powerful author in the world: Eleanor Ashley, the Duchess of Death herself.

Katie Vaughn has been burned by love in the past—now she may be lighting her career on fire. She has two choices: wait to get laid off from her job as a video producer or, at her coworker Cole’s request, take a career-making gig profiling Tom “Hutch” Hutcheson, a Coast Guard rescue swimmer in Key West. The catch? Katie’s not exactly qualified. She can’t swim—but fakes it that she can. Plus: Cole is Hutch’s brother. And they don’t get along. Next stop paradise!

Columnist Anna Appleby has left her love life behind after a painful divorce. Who needs a man when she has two kids, a cat, and uncontested control of the TV remote? Besides, she’d rather be single than subject herself to the hell of online dating. But her office rival is vying for her column, and no column means no stable source of income. In a desperate attempt to keep her job, Anna finds herself pitching a unique angle: seven dates, all found offline, chosen by her children.

Cecilia "CeCe" Ashby is finally escaping the toxic relationship that has consumed her entire adult life. She's returning to her hometown of Laurel Creek, Kentucky, and her family's equestrian ranch, unsure of what the future holds. Nash Carter, the newly retired superstar of the Dallas Stars, is Laurel Creek's hometown hero, local business owner, and notorious bachelor. He's also the unofficial fourth sibling in the Ashby clan. It's been years since his days of tormenting CeCe with her older brothers Wade and Cole. So, when CeCe needs a job, he feels drawn to help her.

Brooklyn, 2020. Theo Harper and his pregnant wife, Darla, head upstate to their summer cottage to wait out the lockdown. Not everyone in their upscale Park Slope building has this privilege: not Xavier, the teenager in the Cardi B T-shirt, nor Darla’s best friend, Ruby, and her partner, Katsumi, who stay behind to save their Michelin-starred restaurant. During an upstate hike on the aptly named Devil’s Path, Theo divulges a long-held secret—and when Darla disappears after the ensuing argument, he finds himself the prime suspect.

Alfred Smettle is not your average Hitchcock fan. He is the founder, owner, and manager of The Hitchcock Hotel, a sprawling Victorian house in the White Mountains dedicated to the Master of Suspense. There, Alfred offers his guests round-the-clock film screenings, movie props and memorabilia in every room, plus an aviary with fifty crows. To celebrate the hotel’s first anniversary, he invites his former best friends from his college Film Club for a reunion. He hasn’t spoken to any of them in sixteen years, not after what happened.

Molly Gray is not like everyone else. She struggles with social skills and misreads the intentions of others. Her gran used to interpret the world for her, codifying it into simple rules that Molly could live by. Since Gran died a few months ago, twenty-five-year-old Molly has been navigating life’s complexities all by herself. No matter—she throws herself with gusto into her work as a hotel maid. Her unique character, along with her obsessive love of cleaning and proper etiquette, make her an ideal fit for the job.

With ailing family to support, Evie Sage's employment status isn't just important, it's vital. So when a mishap with Rennedawn's most infamous Villain results in a job offer—naturally, she says yes. No job is perfect, of course, but even less so when you develop a teeny crush on your terrifying, temperamental, and undeniably hot boss. Don't find evil so attractive, Evie. But just when she's getting used to severed heads suspended from the ceiling and the odd squish of an errant eyeball beneath her heel, Evie suspects this dungeon has a huge rat . . . and not just the literal kind.

Hallie Barrett's life has imploded after she's dumped by her hotshot ex, who also happens to be her coworker and the star of the online series she was producing. Without a new show to present for the company competition, she’ll be out of a job. But inspiration can come from the strangest places . . . like the most handsome guy she’s ever seen passionately discussing Bigfoot on a late-night docuseries.

Eileen Merriweather loves to get lost in a good happily-ever-after. The fictional kind, anyway. Because at least imaginary men don’t leave you at the altar. She feels safe in a book. At home. Which might be why she’s so set on going her annual book club retreat this year—she needs good friends, cheap wine, and grand romantic gestures—no matter what.

For the first time in her life, Clementine "Emmy" Ryder has no idea what she's doing. She's done everything on her to-do list. She left her small hometown, went to college, and made a name for herself doing her favorite thing: riding horses. But when an injury results in an obstacle she can't overcome, Emmy leaves behind a career, an apartment, and a boyfriend for the hometown she spent her whole life trying to escape.

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

In this award-winning Audible Studios production, Trevor Noah tells his wild coming-of-age tale during the twilight of apartheid in South Africa. It’s a story that begins with his mother throwing him from a moving van to save him from a potentially fatal dispute with gangsters, then follows the budding comedian’s path to self-discovery through episodes both poignant and comical.

Separated by 10 years, 3,000 miles, and the unrelenting stresses of adulthood, best friends Janet and Serena plan a 40th birthday girls’ trip to reconnect. But after a massive crash, they’re the only survivors to wash ashore on an uncharted Caribbean Island. Armed with only the clothes on their backs and zero survival skills, they fight to overcome hunger, thirst, deadly wildlife—and most terrifyingly—decades of accrued resentment. Can they find their way home, or will they kill each other first?

Traumatized by the bombing of Dresden at the time he had been imprisoned, Pilgrim drifts through all events and history, sometimes deeply implicated, sometimes a witness. He is surrounded by Vonnegut's usual large cast of continuing characters (notably here the hack science fiction writer Kilgore Trout and the alien Tralfamadorians, who oversee his life and remind him constantly that there is no causation, no order, no motive to existence).

A bad best man’s speech can ruin a wedding. Why do we plan every detail of a perfect day and then give the groom’s idiot best friend five minutes of total power? Enter Nate (Glen Powell), a speechwriter-for-hire who helps people write incredible best man speeches. To keep the best man from embarrassing himself (and the newlyweds), Nate uses his list of don’ts: Don’t mention the exes, don’t be rated R, and don’t bum everyone out. Nate’s system never fails. That is, until he meets Dan (Nicholas Braun).

When Jeanine Hammond is found dead in a hotel in the picture-perfect town of Oakhurst, newly-promoted Detective Jo Fournier is thrown into a disturbing case. Who would murder this shy, loving wife and leave her body posed like a ballerina? Jo wants to know why Jeanine’s husband is so controlling about money, and where Jeanine’s wedding ring is, but before she and her team can get close to the truth, another woman is found strangled in a hotel, arms placed gracefully above her head like a dancer.

The End of the Golden Gate is a penetrating journey that illuminates both what makes San Francisco so magnetizing and how it has changed vastly over time. With essays chronicling the impact of the tech-industry invasion and the evolution, gentrification, and radical cost of living that has transformed San Francisco's most beloved neighborhoods, these prescient essayists capture the lasting imprint of the 1960s counterculture movement, as well as the fight to preserve the art, music, and other creative movements that make this forever the city of love.

Imperial San Francisco is the epic saga of how all great cities parasitize their hinterlands for the sake of those elites who own and run them by using the mass media at their command to shape the thought of those who unwittingly serve their interests. Using San Francisco as an example of how cities employ remote control technology to exploit water, energy, natural resources, and labor from an expansive imperium, it takes the listener from ancient Rome to the University of California’s role in the creation of nuclear weaponry and its first use.

Hazel and Fox are an ordinary married couple with a baby. Except for one small thing: they're murderers. Well, they used to be. They had it all. An enviable London lifestyle, five-star travels, and plenty of bad men to rid from the world. Then Hazel got pregnant. Now, they’re just another mom-and-dad-and-baby. They gave up vigilante justice for life in the suburbs: arranged play dates instead of body disposals, diapers over daggers, mommy conversations instead of the sweet seduction right before a kill. And Hazel finds her new life terribly dull.

Murder is not her department. It’s not like it used to be. Modern-day grim reapers wear business casual, not black cloaks, and they don’t carry scythes, they work for S. C. Y. T. H. E. (Secure Collection, Yielding, and Transportation of Human Essences), where the Department of Natural Causes is the least exciting gig. And that’s how Kathy Valence likes it: boring and predictable. She has enough stress in her personal life; she’s mid-divorce, pregnant, and terrified she doesn’t have what it takes to be a good mom. Then, she goes to pick up a new client and finds his soul is missing.

When true-Crime obsessed Paige, along with her family, move across the Atlantic to her father's eerie hometown, it's not long before she uncovers the town's dark history—a string of unsolved murders and disappearances in the 90s. Soon after, notes start appearing at their home, about the secrets the old house is keeping. The clues lead Paige to a diary concealed in the walls that belonged to one of the missing girls. Could this be the key to solving a quarter-of-a-century mystery...or will the diary make Paige the next target?

When Gemma finds a rare and potentially valuable magazine hidden in the bookshop, she and her friend Jayne set off to find the owner, only to stumble upon a dead body. The highly perceptive Gemma is the police's first suspect, so she puts her consummate powers of deduction to work to clear her name, investigating a handsome rare books expert, the dead woman's suspiciously unmoved son, and a whole family of greedy characters desperate to cash in on their inheritance.

After life threw Maggie Walker a few curveballs, she’s happy to be back in the small, Berkshires town where she spent so much time as a child. Marlowe holds many memories for her, and now it also offers a fresh start. Maggie has always loved gardening, so it’s only natural to sign on to help Violet Bloom set up a community garden. When opening day arrives, Violet is nowhere to be found, and the gardeners are restless. Things go from bad to worse when Maggie finds a boot buried in one of the plots… and there’s a body attached to it.

Librarian Sherry Pinkwhistle keeps finding bodies—and solving murders. But she's concerned by just how many killers she's had to track down in her quaint village. None of her neighbors seem surprised by the rising body count...but Sherry is becoming convinced that whatever has been causing these deaths is unnatural. When someone close to Sherry ends up dead, and her cat, Lord Thomas Crowell, becomes possessed by what seems to be an ancient demon, Sherry begins to think she’s going to need to become an exorcist as well as an amateur sleuth.

I lead a safe and snug life in a small desert town, but I have a secret—I have psychic powers that scare me. They've gone wonky before, so now I only use them for the most important purpose—listening to my dogs ask for more treats. But on an awful Monday morning, I stumble right into a vision of my friend's final moments before she's murdered.

Lenny Marks is excellent at not having a life. She bikes home from work at exactly 4pm each day, buys the same groceries for the same meals every week, and owns thirty-six copies of The Hobbit (currently arranged by height). The closest thing she has to a friendship is playing Scrabble against an imaginary Monica Gellar while watching Friends reruns. And Lenny Marks is very, very good at not remembering what happened the day her mother and stepfather disappeared when she was still a child. The day a voice in the back of her mind started whispering, You did this.

Quill has lived on the Red Pine reservation in Minnesota her whole life. She knows what happens to women who look like her. Just a girl when Jimmy Sky jumped off the railway bridge and she ran for help, Quill realizes now that she’s never stopped running. As she trains for the Boston Marathon early one morning in the woods, she hears a scream. When she returns to search the area, all she finds are tire tracks and a single beaded earring.

Iris narrowly escaped her twin sister’s fate as a teen: abducted in broad daylight and long gone before she could convince the cops there was anything to investigate. With Piper presumed a runaway and no evidence to go on but Iris’s scattered memories, the case quickly goes cold. Ever since that terrible day, Iris’ search for Piper has bordered on obsession. Chasing leads across years and following clues that all seem to point to a single name, Iris does everything she can to get close to the only person who might know the answer to the question that still haunts her: where did Piper go?

Ruby Young's new Boston apartment comes with all the usual perks. Windows facing the brick wall of the next-door building. Heat that barely works. A malfunctioning buzzer. Noisy neighbors. A dead body on the sidewalk outside. And of course, a ghost. Since Cordelia Graves died in her apartment a few months ago, she's kept up her residency, despite being bored out of her (non-tangible) skull and frustrated by her new roommate. When her across-the-hall neighbor, Jake Macintyre, is shot and killed in an apparent mugging gone wrong outside their building, Cordelia is convinced there’s more to it.

Welcome to Curdle Creek, a place just dying to make you feel at home. Osira, a forty-five-year-old widow, is an obedient follower of the strict conventions of Curdle Creek, an all-Black town in rural America stuck in the past and governed by a tradition of ominous rituals. Osira is considered blessed, but her luck changes when her children flee, she comes second to last in the Running of the Widows and her father flees when his name is called in the annual Moving On ceremony.