The Whistler was a radio mystery anthology that debuted on CBS Radio on May 16, 1942. The show was heard only on the West Coast and had Signal Oil as the main sponsor. There were attempts to broadcast the show on the East Coast, one in July to September 1946 and the other in March 1947 to September 1948, with Campbell Soup and Household Finance as the suggested sponsors.

Whoever you are, wherever you go, whatever you do, he knows the nameless terrors of which you dare not speak! Tales of crime, intrigue, and grim fate are brought to you by The Whistler! We offer you 20 edge-of-your-seat journeys into the darkest realms of the human soul from radio's preeminent showcase for stories with an unexpected twist.

"Even when you know who's guilty, you always receive a startling surprise at the final curtain." He knows who you are and he knows what you did! He's The Whistler—a mysterious figure of the night who knows the nameless terrors of which you dare not speak! Here's radio noir at its finest in twenty tales of crime, mystery, and fate starring Bill Forman as The Whistler. The plotters and the pawns are played by Jeff Chandler, Betty Lou Gerson, Frank Lovejoy, Gerald Mohr, Eleanor Audley, Joseph Kearns, Frances Robinson, and more.

It is said that the love of money is the root of all evil. Yes, cold, hard cash can be the inspiration for dark journeys into cold, hard hearts! Step into the shadows with The Whistler and find out exactly what happens when avarice goes unrestrained. Attend fables of finances and fear, of wives and wealth, of debts and death, in 20 digitally remastered episodes starring Bill Forman as The Whistler. William Conrad, Gerald Mohr, Frank Lovejoy, Betty Lou Gerson, Tom Collins, and more provide the voices of the voracious.

You—yes, you! You might think you're getting away with it. You might think it's in the bag. You might think nobody knows what you're really up to! But The Whistler knows—and tells—in this new collection of twenty tale-twisting thrillers! Real life husbands and wives—Elliott and Cathy Lewis, Frank Lovejoy and Joan Banks, Jeanette Nolan and John McIntire—are heard in this suspenseful set, along with Bill Forman as The Whistler.

Radio Spirits brings you classic tales of mystery, crime, and suspense featuring everyday individuals caught in a web of their own making and tripped up by a twist of fate in the end. And heard throughout each radio play, as the events become a tangled web of crime, is that shadowy voice-of-fate, your host, The Whistler! Dripping with sarcasm, The Whistler follows the murderers’ slow descent into destruction while cautioning listeners about the futility of the criminal act they just heard.

That sound you hear? It's your own heart - pounding with excitement as you enter the imaginative world of radio suspense-master Wyllis Cooper in Quiet, Please! These unique and compelling journeys into the macabre are hosted by Ernest Chappell.

Horror stars, action heroes, matinee idols, leading ladies - Suspense offered them all a showcase that expanded and emphasized their distinctive talents. Peter Lorre and Edward G. Robinson were particular favorites and appear here in tortured, desperate roles and never failing to wring every bit of tension from the scripts in their hands. Popular comedians - like Bob Hope and Milton Berle - were also regularly featured. Cast hard against type, the audience was forced to view them in an entirely different light and were left gasping in their wake.

Everyone has secrets...but some secrets are more sinister than others. And the more malevolent the secret, the more The Whistler knows! Wander the foreboding, shadow-filled streets of the imagination in tales that explore the "nameless terrors of which we dare not speak." Bill Forman stars as The Whistler, alongside the suspiciously skillful William Conrad, Gerald Mohr, Elliott and Cathy Lewis, Howard Duff, Doris Singleton, Betty Lou Gerson, and more. Hear them all in in 20 tense tales of crime, suspense, and fate!

Tight, tense, and packed with excitement! No director in radio could do more with 30 minutes than William Spier...and no half hour in radio could do more to keep you on the edge of your chair than Suspense!

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

Three friends from small-town Pennsylvania set out to conquer Denali, North America's highest peak, but only two come down alive. On the mountain, their grand adventure unravels into a harrowing tale of survival, betrayal, and the haunting consequences of ambition pushed too far. For fans of Into Thin Air, Touching the Void, and 127 Hours, Denali has a full cast, jaw-dropping twists, and immersive sound design that will transport you to one of the most extreme environments on earth.

Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television "family."

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

Sloan will go through hell and back for those she loves. And she does so, every single day. Caught up with the alluring Asa Jackson, a notorious drug trafficker, Sloan has finally found a lifeline to cling to, even if it’s meant compromising her morals. She was in dire straits trying to pay for her brother’s care until she met Asa. But as Sloan became emotionally and economically reliant on him, he in turn developed a disturbing obsession with her—one that becomes increasingly dangerous every day.