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A terrifying vision of scientific progress without moral limits, Mary Shelley's Frankenstein leads the listener on an unsettling journey from the sublime beauty of the Swiss alps to the desolate waste of the arctic circle. Obsessed with the idea of creating life itself, Victor Frankenstein plunders graveyards for the material with which to fashion a new being, shocking his creation to life with electricity. But this botched creature, rejected by its creator and denied human companionship, sets out to destroy Frankenstein and all that he holds dear.

The Last Man is Mary Shelley's apocalyptic fantasy of the end of human civilisation. Set in the late 21st century, the novel unfolds a sombre and pessimistic vision of mankind confronting inevitable destruction. Interwoven with her futuristic theme, Mary Shelley incorporates idealised portraits of Shelley and Byron, yet rejects Romanticism and its faith in art and nature.

Three works of fiction, two by Mary Wollstonecraft, and one by her daughter Mary Shelley, creator of Frankenstein. In Mary Wollstonecraft's Mary, the heroine flees her young husband in order to nurse her dearest friend, Ann, and finds genuine love, while Maria tells of a desperate young woman who seeks consolation in the arms of another man after the loss of her child. And Mary Shelley's Matilda - suppressed for more than a century - tells the story of a woman alienated from society by the incestuous passion of her father.

Als Rachel in der neuen High School in einen Streich verwickelt wird, der furchtbar daneben geht, hat sie plötzlich mehr Feinde als Freunde. Zu ihrer Überraschung erregt sie jedoch die Aufmerksamkeit eines geheimen Schülerclubs. Der Mary-Shelley-Club, benannt nach der Autorin von Frankenstein, hat nur ein Ziel: mit gruseligen Aktionen echte Angst zu verbreiten. Schon bald eskaliert das Spiel und wird immer gnadenloser – und Rachel muss das echte Monster aufspüren. Es ist an der Zeit, den ultimativen Streich zu spielen ...

1792. As a child, Mary Wollstonecraft longed to disappear during her father’s violent rages. Instead, she transforms herself into the radical author of the landmark volume A Vindication of the Rights of Woman, in which she dares to propose that women are equal to men. From conservative England to the blood-drenched streets of revolutionary France, Mary refuses to bow to society’s conventions and instead supports herself with her pen until an illicit love affair challenges her every belief about romance and marriage.

The saga of the Lodore family whose fates and fortunes take irregular paths from English aristocracy to the "new world" of Illinois and back again facing struggles of death, poverty, scandal and of course love (true, ill-fated, and star-crossed) along the way. A majestic sweeping Gothic novel - written by the brilliant author of Frankenstein, Mary Shelley - where themes of social justice; female education; spiritual, moral, and intellectual satisfaction are all addressed with thoughtful care and often from several characters points of view.

The Last Man is an apocalyptic, dystopian science fiction novel by Mary Shelley that was first published in 1826. The book describes a future Earth at the time of the late 21st century, ravaged by an unknown pandemic that quickly sweeps across the world.

Life has the capacity of great moments and attainment, of lives well lived, fulfilling for ourselves and for those we touch. But for others life is arduous. There is no spark to ignite the curiosity, to explore and achieve a stability and a growth to their lives. Indeed their lives, in their own eyes, become almost meaningless, their sense of themselves subsumed under a myriad of problems, whether real or imagined. Seismic events in a life might crush them; the loss of a loved one for instance. Coping is difficult, support hard to find and isolation abounds.

Think you know the classic story by Mary Shelley? It bears little resemblance to the Hollywood tale told and retold dozens of times for the screen. Veteran narrator David Gilmore takes you on the complete horrifying journey as it was actually penned in 1816. Includes Shelley's backstory of how she was challenged to come up with a riveting tale by her husband while on a vacation.

Eager science student Victor Frankenstein uses body parts of the dead to bring a creature to life. Although initially excited that his experiment is a success, Frankenstein becomes horrified at the grotesque being that stands before him and flees. Angered by the rejection, the monster retaliates by taking the lives of those dearest to Frankenstein. The decision to play God torments both Frankenstein and the monster he created until the end of their days.

The daughter of political philosopher William Godwin and feminist Mary Wollstonecraft, Mary Shelley had an unconventional childhood populated with the most talented and eccentric personalities of the time. After losing her mother at an early age, she finds herself in constant conflict with a resentful stepmother and a jealous stepsister. When she meets the Romantic poet Percy Bysshe Shelley, she falls deeply in love, and they elope with disastrous consequences.

1816. A massive volcanic eruption has caused the worst storms that Europe has seen in decades, yet Percy and Mary Shelley have chosen to visit the infamous Lord Byron at his villa on Lake Geneva. It wasn't their idea: Mary's eighteen-year-old step-sister, Claire Clairmont, insisted. But the reason for Claire's visit is more pressing than a summer escape with the most famous writers in the world. She's pregnant with Byron's child - a child Byron doesn't want, and scarcely believes is his own.

Mary Shelley's Frankenstein, the book that changed the world. Published to coincide with the 200th anniversary of the publication of Mary Shelley’s Frankenstein and a movie starring Elle Fanning as Mary Shelley, Monster is a brilliant fictionalized biography akin to The Other Boleyn Girl. Two centuries ago this year, the young woman who invented science fiction was only 20 when she wrote the book that became Frankenstein. Mary Shelley said, “People ask how I, then a young girl, could think of, and dilate upon, so hideous subject?”

Loss in any form seems to burden us with more weight than anything that can possibly be gained or learnt from. The loss of a person, a loved one, is often overwhelming. Lives so interwoven that the severing or loss of one life leaves the other weakened, unable to function for some time. Recovery comes in a myriad of forms but is usually debilitating, slow and, in the end, we are not as whole as we once were.It is a subject that authors return to again and again.