Showing results by narrator "Alison Steadman" in Literature & Fiction

Miranda is an unconventional woman. She’s six feet tall, self-conscious and posh. And is frequently mistaken for a man. She’s also invested her inheritance in a joke shop that she runs with her friend Stevie while trying to deal with her outrageously embarrassing mother. Though surrounded by chocolate willies, Miranda is determined to suss out what it takes to be a girly girl and to not look a complete idiot every time she meets the gorgeous Gary.

Meet Brooke: a bisexual Bridget Jones, a millennial Meg Ryan, a girl standing in front of a boy asking him—wait, it doesn’t have to be a boy? For Brooke, ‘The One’ could be anyone. As long as it’s the type of (actually highly problematic) movie love she’s watched on repeat since she was a little girl. Brooke writes algorithms for a dating app, which is odd given what a hopeless romantic she is.

We all know what it means these days to be a "grumpy old man", because part of that role is to be outspoken. Well, we've heard just about enough out of the men, thank you very much. Grumpy Old Women gives us the other perspective, the female take, on the million irritations of today's world.

When Tony Hardstaff breaks the bank playing ‘Snap!’ at the St Petersburg Casino, he is swept up in a maelstrom of romance and adventure. Seduced by the sultry Natassia Fillipovna Karamazov – a woman with curves so perfect they could make a geometry professor spontaneously combust – Tony is caught in flagrante by the Russian mafia, and flees for his life.