検索キーワード： 著者 "Alfred Tennyson" すべてのカテゴリー

Nearly 100 of the most popular and loved poems in the English language, this collection is one of the most comprehensive anthologies of its kind available. It covers a remarkable range, from the striking vision of Blake and Shelley and the insights of Keats to lighter but equally memorable verse by Tennyson, Donne, and Edward Lear.

The 200th anniversary of the birth of Alfred, Lord Tennyson (1809 - 1892), one of the most popular of poets, is celebrated in 2009. Works such as The Charge of the Light Brigade, Crossing the Bar and Tears, Idle Tears have made him an internationally famous figure, and the second most quoted writer of all time (after Shakespeare).

"Locksley Hall" is a dramatic monologue written in 1835 and published in 1842. Tennyson explained that the poem was not autobiographical but purely imaginary, "representing young life, its good side, its deficiences and its yearnings".

In the 28 poems of which Maud: A Monodrama consists, a somewhat mentally fragile young man narrates step by step (almost in stream-of-consciousness) the progress and aftermath of his feelings for Maud, whose father, the owner of the neighboring estate and Hall, he blames for his own father's death and his family's ruin. Many of the themes of the work are related to Tennyson's own experiences and those of his close family.

The office of Poet Laureate goes back many centuries - informally to the time of Geoffrey Chaucer in 1389 and followed thereafter by a number of ‘volunteer laureates’. It was formally assigned to Ben Jonson in 1617 and, as a Royal office by letters patent in 1670, to John Dryden. It is a rich, rewarding history that bursts with the words, themes and visions of many great poets that has bound poetry and poets to a nation's soul.

The seas and oceans have a mystical power over us: From a playful day at the beach to the hysterical waves of a storm, this ever-changing element evokes both beauty and fear. Its great mass, its shimmering beauty, its raging howl, and all in colours from blue to grey to green and crystal clear. In these collections of verse our poets - including Tennyson, Swinburne, Keats, Shelley, and many others - explore the relationship between ourselves and the great mystical waters.

Poetry can capture the imagination in a few short lines but narrative verse or poetry takes the form of telling a story, whether it be simple or complex in a longer form. Among the most ancient forms of poetry, it has widespread roots through almost every culture. In Volume 3 we bring you the classics 'Goblin Market' by Christina Rosseti; 'The Wreck of the Hesperus' by Henry Wadsworth Longfellow; 'The Raven' by Edgar Allan Poe; 'Morte D'Arthur' by Alfred Lord Tennyson; and from 'Horatius' by Thomas Babington Maculay.

Death is a subject that few of us talk about, but many think about and more than a few of us dread. Whether it is the actual end of our life’s journey or merely a transit point to heavenly glory, its actual point of impact is, obviously, life-changing. But what do poets think of it? How do their minds tangle with the subject and make sense of this? That’s what we wondered too. Poets as rich and diverse as Tennyson, Hardy, Shelley, and Poe here share their words, thoughts and visions with us.

Continuing a collaboration started years ago, Benjamin Luxon and Frederick Moyer now turn to the little-explored genre of music for piano and narrator. Enoch Arden first came to international attention with a recording by Claude Raines and Glenn Gould but has since drifted back to obscurity. This is a work that both Luxon and Moyer have loved for many years. The poem is immediately accessible to any audience and tells a heart-wrenching story of friendship, love, separation, and sacrifice.

Enoch Arden first came to international attention with a recording by Claude Raines and Glenn Gould, but it has since drifted back to obscurity. This is a work that both Luxon and Moyer have loved for many years. The poem is immediately accessible to any audience and tells a heart-wrenching story of friendship, love, separation, and sacrifice. The masterful score creates a powerful soundtrack to the saga.

The seas and oceans have a mystical power over us: From a playful day at the beach to the hysterical waves of a storm, this ever-changing element evokes both beauty and fear; its great mass, its shimmering beauty, its raging howl and all in colours from blue to grey to green and crystal clear. In these collections of verse our poets - including Tennyson, Swinburne, Keats, Shelley, and many others - explore the relationship between ourselves and the great mystical waters.

This poet of Victorian times was held in awe for his magnificent works, including "In Memoriam", "Morte D'Arthur", and "Charge of the Light Brigade". His language and command of vocabulary seem particularly in keeping with the grand sweep of Victorian ambition. Many selections are asembled here and read with great character by Dame Sybil Thorndike, Sir Edward Casson, and Robert Speaight.

Poetry is often cited as our greatest use of words. The English language has well over a million of them and poets down the ages seem, at times, to make use of every single one. But often they use them in simple ways to describe anything and everything from landscapes to all aspects of the human condition. Poems can evoke within us an individual response that takes us by surprise, that opens our ears and eyes to very personal feelings.

The legends of King Arthur remained one of Tennyson's major interests during his long life. The Idylls of the King is his longest and most ambitious work read here by Basil Rathbone.

Alfred Tennyson, 1st Baron Tennyson (6 August 1809 - 6 October 1892) was Poet Laureate of the United Kingdom and remains one of the most popular poets in the English language. He was born in Somersby, Lincolnshire, a rector's son, the fourth of 12 children, and reportedly a descendant of King Edward III of England.

Over the far horizon the blanket of night begins to slowly dissolve. The sun is once more on its daily journey across the heavens. The light begins to sharpen and increase in intensity, revealing the landscape. Morning has begun, and dazed heads and sleepy faces come to terms with the new day. Our poets capture the mood, the emotions and all manner of other details in their descriptions of this time. But then with the calibre of wordsmiths such as Tennyson, Wordsworth, Milton, Southey, Donne and many more besides, we are almost spoilt.

The office of Poet Laureate is a high honour amongst poets. The ancient Greeks had the first idea, and their heroes and poets wore wreaths of laurel in honour of the god Apollo. Many countries now have a laureate, as do many societies and organisations. But perhaps ranked first among them all is that of our own Poet Laureate. Unfortunately no single authentic definitive record exists of the office of Poet Laureate of England. In some form it can be traced back to 1189 and Richard Canonicus, who was employed by Richard I with the title 'versificator Regis'.

This collection of sixteen poems features several notable examples of his early work, including “Oenone” and “The May Queen”, as well as two of his most iconic works, “The Lady of Shalott” and “The Lotus Eaters."