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Nir Harpaz Dadon

  • 5
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  • 1
  • helpful vote
  • 13
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Best Guest

Overall
5 out of 5 stars
Performance
5 out of 5 stars
Story
5 out of 5 stars

Reviewed: 09-08-23

Might be my absolute favourite episode. They had such a great dynamic and no dead air; no awkwardness. Just so much fun, and hilarious to boot.

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Fascinating and devastating

Overall
5 out of 5 stars
Performance
5 out of 5 stars
Story
5 out of 5 stars

Reviewed: 16-09-22

A jarring inside-look into child stardom, parental abuse, and survival, delivered without hesitation or evasion as a searing indictment against Hollywood and its treatment of child actors as disposable props.

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Enormous undertaking

Overall
5 out of 5 stars
Performance
5 out of 5 stars
Story
5 out of 5 stars

Reviewed: 28-09-21

An incredible story, narrated so meticulously and accurately, a must for anyone wise enough to enjoy it within the proper historical context, the story being a very biased and sentimental tale about the old south and its gentility.

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1 person found this helpful

Will mainly appeal to fans of Miss Dratch and SNL.

Overall
5 out of 5 stars
Performance
5 out of 5 stars
Story
5 out of 5 stars

Reviewed: 04-12-20

But is still a charming, human, and humanising story.
Covering her time in the limelight somewhat briefly, we are given a much more in depth look into the person when away from it.
Her struggles with accepting herself, her looks, her sense of purpose, her sense of romantic loneliness, and coming to grips with the woman she was becoming, an ongoing project in her view.
Truly wonderful and wonder full listen.

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A Horrifying Glimpse into Child Abuse

Overall
5 out of 5 stars
Performance
5 out of 5 stars
Story
5 out of 5 stars

Reviewed: 18-07-20

Well worth the listen; spectacular production, and the subject matter is captivating and moving. It only offers a small glimpse into the subject of child abuse, and at the same time, an exhaustive one.
Between the Old Hollywood gossip, the behind-the-scenes peeks into the inner workings of that fantastic, electrifying, and abominable behemoth that is Hollywood itself, the honest and precise analysis of a dangerous and powerful woman, and the havoc she could wreak (depending on her hourly moods), the story unfolds slowly, slowly, and awfully quick.
And yet, when all is said and done, there are clearly only victims in this shocking saga, and you cannot help sympathise with all involved; from Christina, to Christopher, to the twins, to Alfred Steele, to Joan herself: a flawed, savage, wounded, woman; traumatised, exploited, and sometimes even wrongfully vilified by the press and columnists which her career depended on. There are no winners. It is all just terribly sad.

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