Showing results by narrator "Lalla Ward" in All Categories

How did the replication bomb we call "life" begin, and where in the world, or rather, in the universe, is it heading? Writing with characteristic wit and an ability to clarify complex phenomena (the New York Times described his style as "[T]he sort of science writing that makes the reader feel like a genius"), Richard Dawkins confronts this ancient mystery.

What are things made of?What is the sun?Why is there night and day, winter and summer?Why do bad things happen?Are we alone?Throughout history people all over the world have invented stories to answer profound questions such as these. Have you heard the tale of how the sun hatched out of an emu's egg?

The Blind Watchmaker, knowledgably narrated by author Richard Dawkins, is as prescient and timely a book as ever. The watchmaker belongs to the 18th-century theologian William Paley, who argued that just as a watch is too complicated and functional to have sprung into existence by accident, so too must all living things, with their far greater complexity, be purposefully designed. Charles Darwin's brilliant discovery challenged the creationist arguments; but only Richard Dawkins could have written this elegant riposte.

In The Greatest Show on Earth, Richard Dawkins takes on creationists, including followers of 'Intelligent Design' and all those who question the fact of evolution through natural selection. Like a detective arriving on the scene of a crime, he sifts through fascinating layers of scientific facts and disciplines to build a cast-iron case: from the living examples of natural selection in birds and insects.

Richard Dawkins' brilliant reformulation of the theory of natural selection has the rare distinction of having provoked as much excitement and interest outside the scientific community as within it. His theories have helped change the whole nature of the study of social biology, and have forced thousands to rethink their beliefs about life.

Winner of the British Book Awards, Author of the Year, 2007.
Shortlisted for the British Book Awards, Book of the Year, 2007.
Shortlisted for the Samuel Johnson Prize, 2007.
Winner of the Audiobook Download of the Year, 2007.
As the author of many classic works on science and philosophy, Richard Dawkins has always asserted the irrationality of belief in God and the grievous harm it has inflicted on society. He now focuses his fierce intellect exclusively on this subject, denouncing its faulty logic and the suffering it causes.

Breathtaking, brilliant and passionate, these essays, journalism, lectures and letters make an unanswerable case for the wonder of scientific discovery and its power to stir the imagination; for the practical necessity of scientific endeavour to society; and for the importance of the scientific way of thinking – particularly in today’s ‘post-truth’ world.

As the author of many classic works on science and philosophy, Richard Dawkins has always asserted the irrationality of belief in God and the grievous harm it has inflicted on society. He now focuses his fierce intellect exclusively on this subject, denouncing its faulty logic and the suffering it causes.

‘In the beginning was the Word,’ says the Gospel of John. This sentence – and the words of all four gospels – is central to the teachings of the Christian church and has shaped Western art, literature and language, and the Western mind. Yet in the years after the death of Christ there was not merely one word, nor any consensus as to who Jesus was or why he had mattered.

Keats accused Newton of destroying the poetry of the rainbow by explaining the origin of its colours. In this illuminating and provocative book, Richard Dawkins argues that Keats could not have been more mistaken and shows how an understanding of science enhances our wonder of the world. He argues that mysteries do not lose their poetry because they are solved: the solution is often more beautiful than the puzzle, uncovering even deeper mysteries.

Born to parents who were enthusiastic naturalists, and linked through his wider family to a clutch of accomplished scientists, Richard Dawkins was bound to have biology in his genes. But what were the influences that shaped his life and intellectual development? And who inspired him to become the pioneering scientist and public thinker now famous (and infamous to some) around the world? In An Appetite for Wonder we join him on a personal journey back to an enchanting childhood in colonial Africa.

Four exciting novelisations of classic TV stories in which the Doctor and his companions traverse the Fourth Dimension. This collection includes Doctor Who: The Space Museum, Doctor Who and the Day of the Daleks, Doctor Who: City of Death and Doctor Who: The Two Doctors.

Books Do Furnish a Life is divided by theme, including celebrating nature, exploring humanity, and interrogating faith. For the first time, it brings together Richard Dawkins's forewords, afterwords and introductions to the work of some of the leading thinkers of our age - Carl Sagan, Lawrence Krauss, Jacob Bronowski, Lewis Wolpert - with a selection of his reviews to provide an electrifying celebration of science writing, both fiction and non-fiction. It is also a sparkling addition to Dawkins's own remarkable canon of work.

Zagreus sits inside your head. Zagreus lives among the dead. Zagreus sees you in your bed and eats you when you're sleeping....

In Doctor Who and the Zarbi, the First Doctor and his companions are trapped on the remote planet Vortis. In Doctor Who and the Curse of Peladon, the Third Doctor and Jo are mistaken for delegates of the Galactic Federation on a primitive world. In Doctor Who and the Brain of Morbius, the Fourth Doctor and Sarah find the living remains of a renegade Time Lord. In Doctor Who and the Leisure Hive, the Fourth Doctor and Romana find corruption lurking beneath the surface of the pleasure planet Argolis. In Doctor Who: The Greatest Show in the Galaxy, the Seventh Doctor and Ace fight for their lives on Segonax.

The Leisure Hive on the planet Argolis is an entertainment centre for galactic travellers. At the heart of the Hive is the Tachyon Recreation Generator, a machine with a most extraordinary performance capability and vital to the continued existence of the Argolin after their devastating war with the reptilian Foamasi... While visiting the Hive, the Doctor and Romana are sucked into a whirlpool of treachery and deceit, and are eventually arrested on suspicion of murder. Soon the Doctor is on trial for his life...

To maintain their vessel, the Mistress and K9 must locate a sustainable power source and e-space-compatible technology - or lose the ability to time travel forever. Their answer lies within an ancient derelict Dyson sphere. But all is not as it seems, and the arrival of alien archaeologists from planet Herta, searching for evidence of the ancient, brings further danger.

The Doctor's old friend and fellow Time Lord Professor Chronotis has retired to Cambridge University - where nobody will notice if he lives for centuries. But now he needs help from the Doctor, Romana, and K-9. When he left Gallifrey he took with him a few little souvenirs - most of them are harmless. But one of them is extremely dangerous. The Worshipful and Ancient Law of Gallifrey isn't a book for Time Tots.It must not be allowed to fall into the wrong hands.

After successfully opposing slavery in the pocket-universe of Ecto-Space, K9 and his Mistress are treated to a life of luxury as the revered guests of Emperor Lukor. However, a life of decadence soon pales for the travellers and after making a hurried departure, they discover a society of diseased cave dwellers who are dominated by their unseen masters who they worship as gods. Experience tells the Mistress and K9 that things are not all that they seem, and in a bid to unearth the truth, they place themselves in deadly peril.

An unabridged reading of the brand-new novelisation of a classic Fourth Doctor TV story by Douglas Adams. The Doctor takes Romana for a holiday in Paris - a city which, like a fine wine, has a bouquet all its own. But the TARDIS arrives in 1979, a table-wine year, whose vintage is soured by cracks in the very fabric of time itself.