Some folks say this is the best Emmanuelle movie while others say it sucks. Well, I think they're both right. All the Emmanuelle (French)and Emanuelle (Italian) movies have laughable dubbed dialogue, idiotic libertine philosophizing, a heavy dose of European art houses pretensions, and of course mildly erotic if increasingly tedious omni sexual sex scenes. The Italian movies added a borderline-racist fascination with interracial coupling, and Joe D'Amato took the series into some irredeemably sleazy territory involving cannibals and snuff films. Still all these movies were shot on film, they all had some breath-takingly beautiful natural scenery (and I don't just mean the women), and they were, if only by default, interesting exotic travelogues. "Black Emanuelle" typifies both the best and worst aspects of the series.
Unfortunately, after once talented director Walerian Borozyx for some reason cast America b-Movie bimbo Monique Gabrielle (who makes Laura Gemser look like Meryl Streep)in "Emmanuelle 5", and "Emmanuelle 6" with Natalie Uher (actually the best of the legitimate French movies) and a French TV series hosted by original Emmanuelle, Sylvia Kristel, didn't take, Emmanuelle would go Hollywood. Film became porno-gloss video. Exotic African and Asian locations became left over "Star Trek" sets. And the most beautiful naked women God could create (Laura Gemser, Natalie Uher, Nieves Navarro) were replaced by the most beautiful naked women Beverly Hills plastic surgeons could create (Krista Allen, Holly Sampson). Stupid but exotic became stupid and boring. There is only one reason to watch a modern Emmanuelle movie, but that only takes your average dateless wonder about ten minutes. The original "Black Emanuelle" is awful, but it will at least hold your interest until the end, making it--by default--the best of the bunch. (However, when I can get a cheap copy or learn to speak Italian, I'd like to see the very first Emmanuelle--"Io, Emmanuelle" with Erika Blanc)
